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  • Eduardo Kac is internationally recognized for his telepresence and bio art. A pioneer of telecommunications art in the pre-Web '80s, Eduardo Kac (pronounced "Katz") emerged in the early '90s with his radical works combining telerobotics and living
  • THE MEDUSA PROJECT (AUTOBIOGRAPHY) refers to the relationship between women and power as depicted in both ancient mythology, and in postmodern culture. It represents my attempt to directly merge personal history and influences into the production of
  • Mumford, Lewis. Mythos Maschine: Kultur, Technik und Macht. Frankfurt/Main: Fischer Verlag, 1977.
  • erotogod -
    Erotogod is a media art project that generates new stories of creation. The project elaborates on the sensual dimension of aesthetics by connecting advanced computer and interactive technologies to the body as a sensual interface. Erotogod's
  • Jan-Peter E.R. Sonntag & N-solab 1965 in Lübeck, Deutschland Club Transmediale 2008 sonArc::project, Kulturverlag Kadmos, Berlin, ISBN (13)978-3-931659-97 Auszeichnungen (Auswahl) [Bearbeiten] 2008 CYNETart-Award 08 2008 Deutscher
  • Quiroz Luna, Marcela. Orientalism, Occidentalism and Other Myths of Origin Fahrenheit Contemporary Art Magazine , no. 39 (February 2010): 102-104.
  • Kac, Eduardo. Das Internet und die Zukunft der Kunst: Immaterialität, Telematik, Videokonferenzen, Hypermedia, Networking, VRML, Interaktivität, Bildtelefone, Künstlersoftware, Telerobotik, Mbone und darüber hinaus In Mythos Internet, edited by
  • This interactive video installation is a collaboration between myself and Camille Turner. This mediawork is an exploration of the sex, beauty and racial myths which are encountered by a young black Canadian woman and the various conflicting message
  • Hackett, Helen. Shakespeare and Elizabeth: The meeting of two myths. Princeton, NJ: Princeton Univ. Press, 2009.
  • Event: Ellen Pearlman, Myths of Creation & Destruction, ISEA New Mexico 2012Institution: ISEA New Mexico Comment: