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  • FIVARS. FIVARS 2022 Spotlight – Klaxon. My Dear Sweet Friend https://fivars.net/spotlight/fivars-2022-spotlight-klaxon-my-dear-sweet-friend/.
  • Lin Pey-Chwen was born in Ping-tong County, Taiwan in 1959. She received a Doctor of Creative Arts from the University of Wollongong, Australia in 1996. She was chairwoman of the Graduate School of Multimedia and Animation Arts, National Taiwan
  • FIVARS. FIVARS 2022 Spotlight – Klaxon. My Dear Sweet Friend https://fivars.net/spotlight/fivars-2022-spotlight-klaxon-my-dear-sweet-friend/.
  • Points of View II - Babel addressed issues relating to the Falklands War. It was made using the same functional and iconographic structures as Points of View I, but with a differing content.In BABEL hieroglyphs were used to articulate a
  • World Skin is an interactive artwork presented for the first time at Ars Electronica (Linz, Austria). It won the Golden Nica Award in the Interactive Art category in 1998. Armed with cameras, we are making our way through a three-dimensional
  • Rambona -
    In "Rambona" the artist transposes the subject of "woman as object of desire" (cover girl) into an image of power. Rambo becomes Rambona. Says the artist, "Duga, a popular magazine in Serbia, came out with a cover girl dressed in a combat suit. The
  • Tomas Ruller is a multimedia performance artist. He studied sculpture in the Academy of Fine Arts in Prague and is Dean in the Univerity of Technology in Brno. Ruller aims to create an alternative way of thinking, by continually confronting the
  • Jeffrey SHAW has been a pioneer and leading figure in new media art since its emergence. In the context of the 1960’s paradigm of installation he started with expanded cinema, performance and participatory environments, aiming to change the
  • "Poverty Island with video Skies" is the beginning of an exploration of the integration of video images into a virtual environment. This integration will allow me to combine a long-standing interest in the evocative similarities of the forms and
  • Burnham, Clint. Chapter "Postmodern Aesthetics as Obscene Super-ego: Anxieties of Photography" in Function/fiction : utilitarian images reconfigured – Sylvia Grace Borda, Tacita Dean, Rod Dickinson, Michael Klier, Manu Luksch, Chris Marker, Pavel