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Speculative Data and the Creative Imaginary: Shared Innovative Visions between Art and Technology 2007 - 2007

Curator: Pamela Jennings, Carnegie Mellon University, USA Speculative Data and the Creative Imaginary Shared Innovative Visions between Art and Technology National Academy of Sciences Gallery Washington D.C., United States June 3 - August 24 , 2007
Cologne OFF, 2012 2012 - 2013

Screening of Al GRANO : Corn Regime, 2011, split screen documentary short film (7:37 duration). Venues: -CeC - Carnival of e-Creativity Sattal, -India (22-24 Feb 2013) -ExTeresa Arte Actual, Mexico City, Mexico (18 & 19 October 2012) -Fine Art Film
GFP Bunny 2000

Becker, Carol. GFP Bunny Art Journal 59, no. 3 (Fall 2000).
Reverie, Osmose and Ephémère: Dr. Carol Gigliotti interviews Char Davies 2002

Deepwell, Katy. Reverie, Osmose and Ephémère: Dr. Carol Gigliotti interviews Char Davies n.paradoxa, international feminist art journal 9 (2002): 64-73.
Aesthetics of a Virtual World 1995

Gigliotti, Carol. Aesthetics of a Virtual World Leonardo 28, no. 4 (1995): 289-295.
Serious Games 1996

Graham, Beryl and Carol Brown, ed. Serious Games. London: Barbican Art Gallery and Tyne and Wear Museums, 1996.
The Eighth Day: The Transgenic Art of Eduardo Kac 2003

Lucie-Smith, Edward and Steve Baker and Carol et.al. Becker. The Eighth Day: The Transgenic Art of Eduardo Kac. New York: ASU, 2003.
Women and the Aesthetics of New Media 2003

Gigliotti, Carol. Women and the Aesthetics of New Media trAce, Online Writing Centre (June 2003).
Sounds Over Time: A review of experimental multi-channel sound art from Harvestworks DMAC curated by Carol Parkinson 2019 - 2019

Event: Sounds Over Time: A review of experimental multi-channel sound art from Harvestworks DMAC curated by Carol ParkinsonInstitution: ElectromuseumComment:
Galerie Carol Johnson

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