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  • Event: CrayVox in Space(d) Art out of Place BiennaleInstitution: Fremantle Art CenterComment:
  • Event: Das Fremde und das Eigene - Globalisierung der KulturenInstitution: Festivalbüro der Stadt Duisburg (Duisburger Akzente)Comment:
  • Light, only light -
    Except for a few species like the Dinoflagellata, which belongs to both the plant and animal kingdoms, bioluminescence is only found in a few animal species. According to biological evolution, a single organism cannot both consume light as energy
  • Jun Takita, born in 1966 in Tokyo, graduated in 1988 from Nihon University, majoring in arts. He received a Masters from Paris Ecole National d’Art in 1992, having received a scholarship from the French government. He draws heavily from concepts of
  • Event: Mignonneau, Laurent, Sommerer, Christa, “Fremdsprachige Matinee: l'interaction revisitée“, Lecture at Kepler Salon, Linz (Austria), 26.06.2011Institution: Kepler SalonComment:
  • The Blue Station -
    Conceived in collaboration with the French architect Jean Nouvel , won the co m petition to create Paris 's first interactive subway station in the heart of Paris . Funded by the RATP (Parisian Transport Company) this unique project is meant to be a
  • Pixelpark Interactive Environments created the Mercedes-Benz Info Designer for the Auto Salon Paris 2000 and made this special service an interactive, customer-friendly experience. In just a few steps users can obtain an overall picture of all
  • The "UFF" situation took place in Graz, Austria from 17-22 May 2013 and was concerned with food generally, and more specifically with the industrialisation of Austrian farming practices and the impact of this on animal welfare, the environment, and
  • MACHFELD (Sabine Maier | Michael Mastrototaro) Sabine Maier Sabine Maier ist „Photo & Medienkünstlerin“, die nicht nur mit den Medien arbeitet, sondern an den Medien. Seit 1999 ist sie freischaffende Foto- & Medienkünstlerin, die nicht nur mit,
  • Sans Armes Citoyens -
    Two years before the turn of the century, a committee chaired by Jean-Jacques Aillagon, at the time director of the Centre Pompidou, was entrusted with the task of defining the ceremonies to celebrate the millennium. Oddly enough, I was invited to