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Davies, Char and John Harrison. Osmose: Towards Broadening the Aesthetics of Virtual Reality Computer Graphics (ACM SIGGRAPH) 30, no. 4 (1996): 25-28.

Bardini, Thierry. Quand la l´imaginaire devient realite virtuelle: Á props de myth entourant les technologies du virtuel Interface: La Revue de la Recherche (January 1996).

Ascott, Roy. Das digitale Museum / The Digital Museum In Perspektiven der Medienkunst / Media Art Perspectives, edited by H. Schwartz, 76-83, 183-189. Karlsruhe, Deutschland: Cantz Verlag, 1996.

Anker, Suzanne. Cellular Archeology Art Journal 55 (1996): 33-34.

Ascott, Roy. Identity in Cyberspace: Pilot Project for a European Cyberspace Collegium. Brusseles: Commission of the European Communities, D.G.XXII, Brussels, 1996.

Baudrillard, Jean. Das perfekte Verbrechen. München: Matthes and Seitz, 1996.

Ascott, Roy. Is there Love in the Telematic Embrace? Behaviourables and Futuribles In Theories and Documents of Contemporary Art, edited by K. Stiles and P. Selz, 396 and 489-498. Berkeley: University of California Press, 1996.

Ascott, Roy. Photography at the Interface In Electronic Culture. Technology and Visual Representation, edited by Timothy Druckrey, 165-172. New York: Aperture, 1996.

Benayoun, Maurice. Diabolo ex machina. dérives malignes de la Sainte Ecriture dévoyée par la technologie Sarazine 4 (1996).

Deleuze, Gilles. Das Zeit-Bild (Kino II). Frankfurt/Main: Suhrkamp Taschenbuch Wissenschaft, 1996.