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  • Cathartic User Interface 1.0 and 2.0 (CUI) are interactive,
    multi-participant installations that allow users to quickly and
    effectively work through their conflicting emotions concerning the
    benevolent yet pernicious influences of computer...
  • Pesce, Mark. Cathedrals of Light In The Playful World: How Technology is Transforming Our Imagination, edited by Mark Pesce, 248-255; 267. New York: Ballentine Books, 2000.
  • Dr. Catherine B. Fisher has been an exhibited and published artist for over forty years. She lives in the Sutherland Shire of New South Wales, Australia.
    Her artworks are nationally award-winning & multi-disciplinary - printmaking, digital art, fine...
  • Catherine B. Fisher 'Crossroads' 2021 Postdigital artwork 25.4 x 25.4cmArtist: Catherine B FisherComment:
  • Catherine B. Fisher 'Houston we have a problem' 2021 Postdigital artwork 25.4 x 25.4cmArtist: Catherine B FisherComment:
  • CATHERINE B. FISHER - ARTWORKS 2016-2019Artist: Catherine B FisherComment:
  • Scholar: Catherine Bourne
  • Scholar: Catherine Fraixe
  • Since 1980 Catherine Ikam has been working on the concept of identity in the digital age, themes of identity and appearance, the living and the artificial, and the human and the model. In collaboration with Louis Fléri she has produced virtual...
  • My particular expertise in the history of computer and digital art began in 2002 when I joined an AHRC-funded research group at Birkbeck College, University of London – The CACHe Project (Computer Arts, Contexts, Histories, etc), which investigated...