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Televerkörperung in Trace 1996

Lozano-Hemmer, Rafael. Televerkörperung in Trace Kunstforum International (January 1996).
Arte Electronico: Pervirtiendo lo tecnológicamente correcto 1997

Lozano-Hemmer, Rafael. Arte Electronico: Pervirtiendo lo tecnológicamente correcto Movimiento Actual (November 1997).
Displaced Emperors, Relational Architecture 2 1997

Lozano-Hemmer, Rafael. Displaced Emperors, Relational Architecture 2 In Ars Electronica 1997: Fleshfactor / Informationsmaschine Mensch, edited by Gerfried Stocker and Christine SchöpfLinz: 1997.
The Year's Midnight 2011

The Year's Midnight, 2011 Computer, software, camera, high-resolution display, Seeing Machines face recognition 105.5 x 80 x 12 cm Ed. 3/6, 1 AP (RLH 89.3) White or black smoke bellows from the eyes of the viewer. Live and recorded eyeballs
Autopoeisis 2010 video

"Autopoiesis", 2010 mirror, surveillance camera, laser projector, proximity sensor, computer running custom face-tracking algorithms 20" x 14" x 7.5" / 51 x 36 x 19 cm edition of 6, 1 AP When people look at themselves in this small mirror they see
Please Empty Your Pockets 2010 video

"Please Empty Your Pockets," 2010 conveyor belt, Mac mini, HD projectors, HD camera dimensions variable edition of 6, 1 AP "Please Empty your Pockets" is an installation that consists of a conveyor belt with a computerized scanner that records and
Re:Positioning Fear, Relational Architecture 3 1997

Lozano-Hemmer, Rafael. Re:Positioning Fear, Relational Architecture 3 In Internationale Biennale Film und Architektur, Graz, AUT: 1997.
The Trace: Remote Insinuated Presence 1997

Lozano-Hemmer, Rafael. The Trace: Remote Insinuated Presence YLEM (September 1997).
Re:Positioning Fear 1998

Lozano-Hemmer, Rafael. Re:Positioning Fear Archis (1998).
The Relational Museum 1998

Lozano-Hemmer, Rafael. The Relational Museum In Proceedings of the International Association of Telecommunication Museums, London, UK: 1998.

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