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On Broadway
2014
-
2016
Interactive application and a public installation commissioned by New York Public Library for its exhibition "The Public Eye" How does a "data city" look like? We did not want to show the data in a conventional way using only graphs and numbers. We...
2015 Selfiecity London
2015
Interactive web app for exploring a dataset of 3200 Instagram selfie photos shared in 5 global cities, and separate visualizations of these photos created with custom software. Source: Lev Manovich
SelfieSaoPaulo
2014
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2014
A site-specific project for a media facade in Sao Paulo, Brazil, for the 2014 SP_Urban Festival. Together with Moritz Stefaner and Jay Chow. The project develops further the ideas from Selfiecity published early in 2014. For SelfieSaoPaulo,...
Taipei Phototime
2014
Real time comparative visualization of Instagram images as they are uploaded from Taipei and New York created with custom software. Taipei Phototime captures and displays new Instagram images in real time. Two streams of images, one from Taipei and...
The Exceptional and the Everyday: 144 hours in Kyiv
2014
Over a few days in February 2014, a revolution took place in Kyiv, Ukraine. How was this exceptional event reflected on Instagram? What can visual social media tell us about the experiences of people during social upheavals? If we look at images of...
Phototrails
2013
High resolution visualizations created with custom software using 2.3 million Instagram photos from 13 global cities. Source: Lev Manovich
Manga Style Space
2010
High resolution visualizations of 1 million manga pages created with custom software. Source: Lev Manovich
TimeLine
2009
High resolution visualization of all 4535 covers of Time magazine (1923-2009) created with custom software. Source: Lev Manovich
Mission to Earth (Soft Cinema Edition)
2003
Computer-driven media installation, custom movie generating software, database of video clips, variable configurations. Source: Lev Manovich
Global User Interface (Soft Cinema Edition)
2002
Computer-driven media installation with variable narratives and spatial configurations. Source: Lev Manovich
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