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  • To Touch
    ... the viewer is a viewer from distance, are turned around. The art pieces starts to be art only after an active action of the viewer....
  • The Shredder -
    Shred the Web! An Alternative web browser that turns web pages into digital confetti. At a time when the web browser struggled against print metaphors like magazine and newspapter to find it's own identity, The Shredder revealed the "soft" nature of
  • Digital Landfill -
    ... Hompepage of the CIA...) (source: http://www.medienkunstnetz.de/werke/digital-landfill/) An neverending archive of digital trash. The artist has created an interface, in which the User can copy files from his computer or foreign...
  • p-Soup -
    ...%20Einstellungen/guest/Lokale%20Einstellungen/Temporary%20Internet%20Files/Content.IE5/S9UB0DY7/napier%5B1%5D.html) on screen whenever a visitor to the piece clicks within the art-work. There are nine graphical "flavors" that the visitor can...
  • Ripple -
    ... "Ripple" are more formal graphic approaches to the Internet and the computer, using the possibilities of the Internet as an...
  • The Paradise Institute
    ... cinema? ''The Paradise Institute,'' by Janet Cardiff and George Bures Miller, is an almost scarily captivating... scarily captivating 13-minute multimedia experience. But the artists' mind-boggling interweaving of visual and aural systems...
  • Playhouse
    ...Janet Cardiff’s Playhouse [1997], a collaborative installation with George Bures Miller was first exhibited at the Barbara Weiss Gallery in...
  • [spaces] -
    ...[spaces]Artist: Mark NapierComment:
  • words video
    This work needs time. Time to stand, sit or lie in front of your (computer) screen and look at the ongoing disintegration of the never ending Google image search. The result of this disintegration are abstract moving images, which run across the
  • KK3-line: The Fall of Rome, Part II -
    ...KK3-line: The Fall of Rome, Part IIArtist: Mark NapierComment:
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