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The first virtual reality art installation 2021

ScenoSpace. The first virtual reality art installation .
White Cube 2011 - 2011

... ground, with just enough thrill to... fact: it has to « be like contemporary art »…as...
Perfume Organ 2011 - 2011

The monumental perfume organ represents a meaningful analogy between musical and olfactory compositions. Its purpose is to demonstrate how, point by point, the scent becomes a kind of oflactif weapon which, with its made to measure smells,
Truth in media art through sensory-motor coordination: Scenography 2:Space and Truth, Zurich University of the Arts 2008

Dartel, van Michael. Truth in media art through sensory-motor coordination: Scenography 2: Space and Truth, Zurich University of the Arts In Scenography 2, edited by Thea Brejzek and Laurence WallenVol.2. Scenography HGKZ, , 22-34. Zurich: Zurich
White Cube 0-10 Alpha in NYC 2016

Waterfall Mansion and Gallery is proud to present an exhibition on women’s empowerment, “The Need For My Care”, inspired by Maya Angelou’s “Phenomenal Woman”. In honour of International Woman’s Day, we give laud to the strengths, mystery, beauty,
Poetry and Scent 2015 - 2015

Event: Poetry and ScentInstitution: Poetry FoundationComment:
The Observatories 2009 - 2009

The Observatories asked: What techniques make us feel those fight-or-flight or must-buy-it-now urges? It also demonstrated how easy it is to manipulate people through subconscious smell. In standalone structures in the centre of Milton Keynes,
Beyond Dualism into Hybridism - Transforming Politics and Economy via the daily life of Cities / Über den Dualismus hinaus zum Hybridismus - Transformation von Politik und Wirtschaft durch den urbanen Alltag 2005

Benjamin, Solomon. Beyond Dualism into Hybridism - Transforming Politics and Economy via the daily life of Cities / Über den Dualismus hinaus zum Hybridismus - Transformation von Politik und Wirtschaft durch den urbanen Alltag In Hybrid. Living in
598 2009 - 2009

In der Arbeit “598″ nehmen wir mit einer Software eine urtümliche Landschaft wahr, ohne unser Wissen oder unsere interpretatorischen Fähigkeiten zu benutzen. Wir wollen quasi vor unserem inneren Auge eine Art Landschaft des wahrgenommenen Bildes
Bastard Culture! How User Participation Transforms Cultural Production 2011

Schäfer, Mirko Tobias. Bastard Culture! How User Participation Transforms Cultural Production. Amsterdam: Amsterdam University Press, 2011.

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