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  • Fleischmann, Monika and Wolfgang Strauss. Verborgenes Wissen in Wissensnetzen, Medienkunst und Wissens(chafts)vermittlung In Öffentliche Wissenschaft und Neue Medien, edited by Caroline Y. Robertson-von Trotha and Jesús Muñoz MorcilloVol.1. ISBN
  • Fortin, Sylvie and Sue Ditta, ed. Strange Attractors: A History of Video Production and Presentation in Ottawa. : 2000.
  • Barral, Xavier and Ryoji Ikeda and Caroline Naphegyi, ed. V =/ L Book. Paris, FR: Editions Xavier Barral, 2008.
  • Chik, Caroline. L'image paradoxale. Fixité et mouvement. Montreal: Presses Universitaires du Septentrion, 2011.
  • Bourgeois Caroline and Lebovici Elisabeth. L'Argent, catalog. Paris, France: FRAC Ile de France, 2008.
  • Vincenzo de Bellis and Caroline Dumalin, ed. MARIO GARCÍA TORRES: ILLUSION BROUGHT ME HERE. Minnesota: Walker Art Center, 2019.
  • Electronic Vibes -
    2016 Electronic Vibes Exhibition Curator: Caroline Ha Thuc Art Project Officer: Stephanie Hsieh Ming Hsiu - Hong Kong, China
  • On a large white platform, the artist has arranged the typical Christmas scenario of his parents’ home: the family members, furniture and carpet from the living room, Christmas decorations, presents, and letters from family members. The annual
  • ANGELS - video
    The First Immersive Virtual Reality Movie. "ANGELS" was conceived at MIT & developed at the Hitlab in Seattle. It was completed in December 1991 and recorded on video in January 1992. This revolutionary movie was programmed for the 3 senses: visual,
  • 2016 ICC Building screen (20th May- 4th July) Open Sky Project Curator: Maurice Benayoun Jury Members: Caroline Ha Thuc, Christiane Paul, Doo Eun Choi, Ellen Pau, Jeffrey Shaw, Li Zhenhua, Maurice Benayoun, Nina Colosi, Susa Pop, Tanya Toft, Tony W