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  • Revelation of Eve Clone I -
    The large-scale projection interactive installation, Revelation of Eve Clone I, further presented that Eve Clone had artificial life and reproductivity. After the viewer entered the exhibition realm, Eve Clone’s life index (the Time Code on the
  • Towards Quantifying Depth and Size Perception in Virtual Environments
    Rolland, Jannick and William Gibson. Towards Quantifying Depth and Size Perception in Virtual Environments Presence: Teleoperators and Virtual Environments 4, no. 1 (Winter 1995): 24-49.
  • The Potential Thief -
    New performance installation exploring the relationship between the individual and cinematic image. Performers and audience members negotiate one anotherΒ’s movements as they copy excerpts from films. Three audience members are asked to join each
  • Radical Reordering: Bit-size Chunks in the Al Grano Project
    Badani, Pat. Radical Reordering: Bit-size Chunks in the Al Grano Project ISEA2015 Proceedings: Bio-Art Proceedings of the 21st International Symposium of Electronic Art, no. ISSN: 2451-8611 / ISBN: 978-1-910172-00-1 (August 2015).
  • Raumatmen / wetf(r)iction -
    in cooperation with Peter Szely (Sound) --- The inside skin of a space station is enveloped in large size projections. The space station is not comprised of inflexible, rigid material - it is not hardware but wetware - it is a breathing, living
  • The Value of Experience in Urban Media Art Education: A Full Size Case Study
    Event: The Value of Experience in Urban Media Art Education: A Full Size Case StudyInstitution: CATE Roundtable 2016: An Inter-tertiary Symposium on Creative Arts Education in Hong KongComment:
  • There Is No Business -
    TITLE: There is no business ARTIST: Rafael Lozano-Hemmer WORK DATE: 2009 CATEGORY: Installations MATERIALS: Installation nΓ©on, mΓ©tal, timer / neon installation, metal, timer EDITION/SET OF: 1/6 SIZE: h: 60 x w: 60 x d: 8 cm / h: 23.6
  • Cushion -
    An over-sized inflatable cushion was put into urban locations so that passers by could play with it.
  • Watch Out! -
    The World wide Panoptikon increases global exposure. Is Big Watcher b[r]othering us? Should we be afraid of being seen or should we enjoy the World's transparency as a way of proclaiming everyone's difference? In Watch Out!
  • 400s -
    henrik mennΓ© 400s, 2010 Stearin, iron, wood, various electronics Supported by: The Danish Arts Council Committee for Visual Arts Courtesy: Galleri Tom Christoffersen, Copenhague this machine-sculpture is specially made for the exhibition and
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