Archive Search

  • Schons, Donna. Bis hier und nicht weiter Monopol (February 2018).
  • SCREEN—SPACE -
    The immersion in virtual worlds has become an integral part of various areas of life that confront us with an altered and expanded reality. The boundaries between physical and virtual space are increasingly blurred. It is this phenomenon that the
  • The Echoes of Ambiguity within Electronic Space - A series of image files produced on a Commodore Amiga computer that were derived from ambiguous compositions of language representation - whilst being abstract yet representational of reality at the
  • The Globe Show -
    Two week fax and E-mail event and telematic workstation between Fine Art students from Newport School of Fine Art in the UK and international artist, scientists and academics.
  • Texts Bombs and Videotape - A 24 hour fax, E-mail and SlowScan TV event presented as a telematic workstation between Newport School of Fine Art in the UK, The Hochschule fuer angewandte Kunst in Vienna and the Digital Art Exchange in Pittsburgh,
  • The performance occurs inside a capsule. We may control the avatar of the performer through a remote computer. The distance between the audience and the performer is set to 7 metres. We may type words, wishes or commands from our keyboard directly
  • The Formula of the Present - Digital Natives, Digital Immigrants New Budapest Gallery Tamas Waliczky's "Adventures of Tom Tomiczky" computer animation will be part of the exhibition. organizer: Center for Culture & Communication Foundation Curators:
  • World System -
    The theme of this project is "re-design for telephone". Winner of Japan Art Scholorship. This is a model of a flying TV-telephone which by itself float to find and link to other people (just like WWW). An idea "What if the original telephone
  • Penny, Simon. Automatisiertes kulturelles Spiel. Versuch einer Systematisierung der interaktiven Kunst In Schöne neue Welten? Auf dem Weg zu einer neuen Spielkultur, edited by Florian Rötzer, 265. München: Boer Verlag, 1995.
  • Dominic Harris (London, 1976) is an artist who uses technology to construct highly personal interpretations of the natural phenomena which surround us. His reverence for nature, coupled with his fascination for code, offers a surreal and whimsical