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Ecloud WWI
2012
ECLOUD WWI is an interactive spatial browser for the exploration of cultural data collected in the Europeana 1914–1918 archive. Presented in 3-D on a custom-designed 9 m by 3 m projection screen, the installation contains more than 40,000 images of
Given
2020
https://aesthetic-machinery.com/given.html • series of five intelligent interactive video-sound installations or architectural projections controlled by hand and body gestures • 6K video projection with 4 channel interactive audio • video projection
Technical Addendum. A Very Technical explanation of processto supplement more general description - Suspect Inversion Center
2013
Vanouse, Paul. Technical Addendum. A Very Technical explanation of process to supplement more general description - Suspect Inversion Center [].
Diego Caglioni
Diego Caglioni investigates descriptive borders, anthropological meanings, aesthetical possibilities of the web and of AIs compared with artistic creativity, focusing his interest on video, installations and photography as main characters of his
Propagation of the Luminous Word
1988
This work addresses the notion of a library of the written language, and gives special aesthetic emphasis to the digital (binary) transformation of language to embody the context of the LBC as a computing center for a larger network of provincial
Cyberflower
2000
Cyberflower IV, 4. 29" by 23", 2000. Algorithmic pen and ink drawing on paper with artist's studio seal in red. The seal characters read "Little Path Studio" for "Pathway Studio" “Cyberflowers” son flores digitales cosechadas desde el universo
Desde la Red: una mirada crítica. La práctica del artivismo en España (1994-2006)
2007
Baigorri, Laura. Desde la Red: una mirada crítica. La práctica del artivismo en España (1994-2006) Papers d´Art. , no. 91 (January 2007).
MAKE ME A (WO)MAN. MAKE ME A CYBORG. Una aproximación a la potencia política de las ficciones míticas desde el arte feminista
2013
Zafra, Remedios. MAKE ME A (WO)MAN. MAKE ME A CYBORG. Una aproximación a la potencia política de las ficciones míticas desde el arte feminista Teknokultura 2, no. 10 (2013): 1-20.
FACTORS 1.0 - Festival de Arte-Ciência-Tecnologia do Rio Grande do Sul
2014
O festival compõe o Simpósio de Arte Contemporânea que acontece desde 2006 na UFSM, realizado pelo Labart e promovido pelo PPGART/UFSM, sob coordenação da Profª. Drª. Nara Cristina Santos. Na esteira do 9º Simpósio de Arte Contemporânea, o FACTORS
Corpo, desejo e autorrepresentação
2014
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2014
Event: Corpo, desejo e autorrepresentaçãoInstitution: Central Galeria de ArteComment:
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