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musicBottles
1998
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1999
musicBottles introduces a tangible interface that deploys bottles as containers and controls for digital information. The system consists of a specially designed table and three corked bottles that "contain" the sounds of the violin, the cello and
No more reality
2009
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2009
Event: No more realityInstitution: Contemporary art centre DEPOComment:
adsda
Event: adsdaInstitution: Contemporary art centre DEPOComment:
O Livro depois do Livro
2003
Beiguelman, Giselle. O Livro depois do Livro. Sao Paulo: Editora Peiropolis, 2003.
Digital Preservation: Recording the Recoding. The Documentary Strategy / Digitale Konservierung: Die Aufzeichnung der Neukodierung. Die Strategie der Dokumentation
2001
Depocas, Alain. Digital Preservation: Recording the Recoding. The Documentary Strategy / Digitale Konservierung: Die Aufzeichnung der Neukodierung. Die Strategie der Dokumentation In Ars Electronica 2001: Takeover : Who's doing the Art of Tomorrow =
(W)orld Currency
2014
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2014
"This artwork illustrates a global currency through the creative formulation of an equation and a trading algorithm for the currency exchange market. The visionary creation of algorithmic trading combines art with the material that governs
Deposits
2006
Orlow, Uriel. Deposits. Berlin, Zürich: The Greenbox, 2006.
Cyberdance
1998
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1998
Ruth Schnell, lecture: "Interaktive Medienkunst"
We Feel Fine
2005
... human feelings
from
a large number of...
Garden Library
2012
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2013
In this collaboration with Israeli artist Romy Achituv, I implemented a data visualization of the books in the Garden Library for Refugees and Migrant Workers in South Tel-Aviv. This is an open?air library located in a public park, established to
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