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  • Water Views: Caring and Daring -
    Water e-Motion: Transformative Views, paper and online presentation by Lila Moore
  • How Games Can Help us Access and Understand Cultural Artifacts
    Flanagan, Mary and Peter Carini. How Games Can Help us Access and Understand Cultural Artifacts American Archivist 75, no. 2 (2012): 514-537.
  • je suis (un readymade) -
    "je suis (un readymade)" is a touchscreen television installation. Each participant directs his or her own experience through this unfolding discourse surrounding the issue of "free speech" in a mass media environment. Individuals find themselves
  • Carl Michael von Hausswolff
    Lives in Stockholm Video, Performances, Electronic Music, Installations and audiovisuelle Rooms
  • The Virtual Reality Casebook
    Loeffler, Carl Eugene and Tim Anderson, ed. The Virtual Reality Casebook. first Edition th ed.Hoboken, NJ: Van Nostrand Reinhold Company, 1994.
  • The Computer as a Communication Device
    Licklider, Joseph Carl Robnett. The Computer as a Communication Device Science and Technology (April 1968).
  • Trois oeuvres Montréalaises font l'événement
    Allen, Carl. Trois oeuvres Montréalaises font l'événement Qui fait quoi , no. 140 (Novembre and Décembre 1995).
  • Nancy Mauro-Flude
    Nancy Mauro-Flude is a mother, digital caretaker, and faerie circuit researcher whose commitment to holistic computing arts advances expanded forms of literacy around digital customs, codesign and somatic investigation at scale. She is founder of
  • Waking Agents -
    In the age of smart everything, even the personal space of sleep is invaded. The installation consists of a set of six pillows in an immersive environment. Visitors are invited to lay down and nap with a “smart” pillow, attended to by its embedded
  • The European Media Art Festival 2015: Irony -
    We come across irony all the time in everyday communication: in photos, caricatures, texts and conversations. Witty, critical or ironic comments are transformed into questioning works and words using the devices of under- and over-exaggeration,
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