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  • Baumgärtel, Tilman. Dein Code ist so verdammt elegant http://www.taz.de/1/archiv/?dig=2002/11/02/a0229 [21.10.2014].
  • Baumgärtel, Tilman. Net.Art 2.0: Neue Materialen zur Netzkunst. Nürnberg: Verlag für moderne Kunst, 2001.
  • David screened The Visual Orchestra at the “Red Stick International Animation Festival,” largest juried animation competition in USA, Shaw Center for the Arts/Louisiana Art and Science Museum (LASM), Baton Rouge, LA, USA, 2009
  • Peter Flemming Curriculum vitae, March 2010 www.peterflemming.ca peter@peterflemming.ca all locations Canada, unless otherwise mentioned Artist statement I see what I make as the electromechanical equivalents of short stories. Instead of
  • Specious Dialogue is a playful exploration of conversation. The work comprises two cubic sculptures mounted on casters, one black and one white, house battery-powered tiny cameras, as well as wireless recording and playback systems. These can be
  • Sprache Sehen -
    Computer-controlled interactive light installation Polytechnic school Bregenz (AT), extension Baumschlager/Eberle, competition, realization 1996–8 [English title, 'Seeing Language'] In each of the three staircases of the new building of the HTL
  • Baumunk, Bodo-Michael and Jasdan Jörges. Sieben Hügel: Bilder und Zeichen des 21. Jahrhunderts. Vol.1-7. Berlin, DE: Henschel Verlag, 2000.
  • Weibel, Peter. Medienkunst, Gewalt, Staat und Subversion. Ein Gespräch mit Rudolf Maresch Symptome, Zeitschrift für epistemische Baustellen 12 (1993): 39-47 and 79f.
  • The 20th transmediale festival again explores how art and society are changing under the influence of media and technologies which become more and more dominant in our everyday lives. In contemporary art, digital media like video and electronic
  • .. Her art works reflect on urbanity and community as seen through digital media and have been exhibited worldwide at festivals and museums..