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  • Sue Hawksley graduated from the Royal Ballet School in 1983. She has performed with Mantis, Scottish Ballet Steps-Out, Rambert Dance Company and Philippe Genty, working with choreographers such as Trisha Brown, Merce Cunningham, Richard Alston,
  • Sommerer, Christa and Laurent Mignonneau. Life Spacies II In Ars Electronica 2000 - Next Sex, edited by Gerfried Stocker and Christine Schöpf, 392. Vienna, New York: Springer Verlag, 2000.
  • Kac, Eduardo. Transgene Kunst In Ars Electronica 1999: LifeScience, edited by Christine Schöpf and Gerfried StockerWien, New York: Springer Verlag, 1999.
  • Penny, Simon. Kunst, Körperbewusstsein und das Technische Weltbild In Ars Electronica 1996: Memesis. Die Zukunft der Evolution, edited by Gerfried Stocker and Christine Schöpf, Wien and New York. : Springer Verlag, 1996.
  • Grau, Oliver. Database of Virtual Art In Ars Electronica 2005: Hybrid - Living in Paradox, edited by Gerfried Stocker and Christine Schöpf, 404-405. Ostfildern-Ruit: Hatje Cantz, 2005.
  • Scott Hessels is an American filmmaker, sculptor and media artist based in Hong Kong. His artworks span different media including film, video, online, music, broadcast, print, kinetic sculpture, and performance. His films have shown internationally
  • Perry Hoberman is an installation and media artist who works with a wide variety of materials and technologies, ranging from the utterly obsolete to the state-of-the-art, from low-tech to high-tech and nearly everything in between. His work has
  • Masahiko Inami is a professor in the School of Media Design at the Keio University (KMD), Japan. His research interest is in human I/O enhancement technologies including bioengineering, HCI and robotics. He received BE and MS degrees in
  • Hauser, Jens. Taxonomy of an Etymological Monster In Hybrid : Living in Paradox, edited by Christine Schöpf and Gerfried Stocker, 182-193. Ostfildern-Ruit: Hatje Cantz Verlag, 2005.
  • Leopoldseder, Hannes and Christine Schöpf, ed. Prix Ars Electronica 1992. Linz: Veritas-Verlag, 1992.