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  • MovieMovie - video
    This expanded cinema performance was specially created for the Experimental Film Festival in Knokke-le-Zoute. It took place in the foyer of the festival building, with the audience sitting on the stairs and balcony. Three performers (Jeffrey Shaw,
  • Points of View III - A Three-Dimensional Story
    Points of View III - A Three Dimensional Story explored the notion of an open artwork by inviting sixteen people to make narrative contributions which were then interactively linked to the visual scenography so that the viewer could navigate between
  • Robots+Avatars dreaming with Virtual Illusions - video
    This interactive installation integrates virtual reality, robotics and telepresence with a high aesthetical content as well as an suggestive and enigmatic interaction. The Real ambience represented by a physical structure under the form of an Arena.
  • Paula Strunden
    Paula Strunden studied architecture in Vienna, Paris and London and worked at Raumlabor Berlin and Herzog & de Meuron Basel. Currently she pursues her design-led PhD within the European network TACK at the Academy of Fine Arts Vienna. Her work
  • "Hermetic River" (Theater Scenography) -
    digital scenography and sound maps for theater play
  • Truth in media art through sensory-motor coordination: Scenography 2:Space and Truth, Zurich University of the Arts
    Dartel, van Michael. Truth in media art through sensory-motor coordination: Scenography 2: Space and Truth, Zurich University of the Arts In Scenography 2, edited by Thea Brejzek and Laurence WallenVol.2. Scenography HGKZ, , 22-34. Zurich: Zurich
  • German Gomez
    G/MZ. Sound and visual artist, with a degree in information systems, works in art and technology integrating data, music or visuals, developing projects in different fields like computer vision, audiovisual installations, video mapping and
  • Virtual Scenography: The Actor/Audience/Computer Interface
    Reaney, Mark. Virtual Scenography: The Actor/Audience/Computer Interface Theatre Design and Technology 32, no. 1 (Winter 1996): 36-43.
  • Quiet Power: How I Elevate Filipino Art Through Decolonial Minimalism
    Cansu Peker. Quiet Power: How I Elevate Filipino Art Through Decolonial Minimalism .
  • Decon: desconstrução, descontaminação, decomposição
    Marta de Menezes. Decon: desconstrução, descontaminação, decomposição NADA 9 (2007): 98-109.
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