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  • Animal Locomotion -
    In Animal Locomotion (1996-2000), which began with drawings made from Muybridge's photographs of figures in motion, the viewer interactively changes the configuration of the site through interactive image manipulation. The server keeps track of the
  • Net Art
    Net Art Projects from 1996 - Present including Ghost City, Lines of Life, Urban Fragments, Without A Trace, All The News Thats Fit To Print, Talking Walls, Disembodied Voices, Random Paths and Visual Chaos
  • ch und Du : Liquid Views
    1996 Museum für Gestaltung, Zürich, CH: » Ich und Du « (Liquid Views)
  • Tele-touch
    Tele-Touch explores the notion of human touch and telepresence in a computer networked environment. It consists of a jacket equipped with wireless touch output devices that allow the person wearing the jacket to be touched by visitors to the
  • Jackpot video
    Jackpot is an Internet slot machine that downloads three randomly selected web sites and displays them in the browser's window along with their top level domain names. You win by matching any of the top level domains. The winner can submit a URL of
  • Sprache Sehen -
    Computer-controlled interactive light installation Polytechnic school Bregenz (AT), extension Baumschlager/Eberle, competition, realization 1996–8 [English title, 'Seeing Language'] In each of the three staircases of the new building of the HTL
  • Perspektiven der Medienkunst / Media Art Perspectives
    Klotz, Heinrich, ed. Perspektiven der Medienkunst / Media Art Perspectives. ISBN 3-89322815-2, ZKM Edition th ed.Ostfildern: Cantz Verlag, 1996.
  • David Oppenheim
    Digital works by david Opp can be found at http://www.day-dream.com/w/pagefrontpage/ [1996 - 2001]
  • Romancing the Antibody
    Hershman, Lynn. Romancing the Antibody Kunstforum International 132 (November - January 1996): 158-167.
  • Bar Code Hotel
    Hoberman, Perry. Bar Code Hotel In Immersed in Technology: Art and Virtual Environments, edited by Mary Anne Moser and Douglas Macleod, 287-296. Cambridge, MA: MIT Press, 1996.
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