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  • Born in Essex, England, susan pui san lok lives and works in London. She graduated with a first in Fine Art from Bretton Hall, University of Leeds (1994), followed by an MA with distinction in Feminism and the Visual Arts, again from the University
  • C. E. B. REAS (b. 1972, United States) lives and works in Los Angeles. His software, prints, and installations have has been featured in numerous solo and group exhibitions at museums and galleries in the United States, Europe, and Asia. REAS'
  • contact --- Ralf Schreiber Iltisstr. 73 50825 Köln / GERMANY -- +49(0)221 5397489 +49(0)151 14316644 -- www.ralfschreiber.com -- mail[aaaaaaat]ralfschreiber[dooooooot]com
  • Daniel Rozin trained as an industrial and interactive designer. He creates interactive installations and sculptures that have the ability to change and respond to the presence of a viewer. Although computers are often used, they are seldom visible.
  • Ben Rubin is a media artist based in New York City. In 1993 he founded EAR Studio and in 2007 Mark Hansen joined him as creative partner. He has a BSc in Computer Science from Brown University and received an MSc in Visual Studies from the
  • Studium an der Cooper Union School of Art und 1960 BA in Architektur an der Columbia University. Professor of Architecture an der Cooper Union School seit 1965. Die Firma Diller + Scofidio gründeten sie 1979. Elizabeth Diller und ihr Ehemann,
  • Part of an emerging generation of new media artists, Shirley Shor employs technological processes in the service of larger issues related to human experience and fine art. Shor creates real-time computer generated installations, and environments
  • Schreiber, Susanne. Wo realer und virtueller Raum verschmelzen Handelsblatt (September 2016).
  • Lives and works in New York Videoinstallations, Media-Art, Writings, Mediatheory Themen: Medien und Kommunikationstechnologie, strategisches Sehen, simultanes Sehen und Gesehenwerden, Kybernetik, digitale Interaktionen; schreibt für Artforum,
  • Jeffrey SHAW has been a pioneer and leading figure in new media art since its emergence. In the context of the 1960’s paradigm of installation he started with expanded cinema, performance and participatory environments, aiming to change the