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A video installation work focusing on the mythology of violence in contemporary London. The work is both autobiographical and fictional and depicts a violent assault. The work was part of three works. (source: http://www.grahamnicholls.com/)

The work depicts gene editing technology CRISPR which has the potential to treat genetically caused diseases, for instance, autism. The PHSCologram sculpture shows different phases of CRISPR genome editing. The first panel shows Cas9 protein in

Dynamic video installation [English title, Against Time] After the piece 'In between' (1999), 'Gegen die Zeit' is another installation for the secularized Johanneskirche in Feldkirch. The video projection depicts a female arm holding either a brush

Fields of Origin NEXT NATURE / juried poster exhibition, I -NODE of Planetary Collegium 2015 By Lila Moore Novel forms and ideas arise unexpectedly from unknown or previously unsuspected origin. Being new and full of mysterious possibilities, they

Print on gold-plated steel The golden tableau depicts the outline of the Mediterranean Sea and its neighbouring states; escape routes and ferry routes, routes of cruise liners and patrol boats that cross the sea on their journeys were superimposed,

La première acquisition du fonds FAME de soutien à la création Emotion Forecast est bâtit sur le modèle des systèmes prédictifs du stock market. Que se passerait-il si l’économie et les échanges étaient fondés sur l’état émotionnel de la planète.

"Subtitled Public," 2005 computer, custom software, camera, projector variable dimension interactive installation Installation view at Sala de Arte Público Siqueiros, Mexico City, México. "Subtitled Public" consists of an empty exhibition space

Antidatamining is a series of visualisations of financial data. Economy is represented by its main agents –companies, groups and holdings, stock exchanges, banks and investment funds– and their interaction: capital relationships, geographic

The installation relies on the intersection of sound and architecture and continues Ikeda's interest in phenomena - be they light, tone or sound - and how they materialise and manifest themselves in the world. The piece is built as a narrow,