Archive Search

  • Isabelle Jenniches (1971) received her Master's degree in Theater and Film Design from the Academy of Applied Art in Vienna, Austria, and a postgraduate degree in Digital Media and Fine Arts from Media-GN in Groningen, the Netherlands. After her
  • Mirko Lazović graduated at the University of Arts in Belgrade and Royal Academy in The Hague, got his MA from the Royal Conservatory in the Hague (2008). His installations place strong thematic emphasis on presence, interactivity, and compositional
  • Tjebbe van Tijen born in The Hague, lives and works in Hong Kong and Amsterdam. He studied sculpture in Den Bosch, Milano and London. Various happenings and expanded cinema projects in London and cities in the Netherlands 1965-1968. Founded and
  • Event: Oddstream festival - Nijmegen (Netherlands) / Curator : Lieke WoutersInstitution: Ars Electronica Linz GmbH & Co KGComment:
  • Event: Oddstream festival - Nijmegen (Netherlands) / Curator : Lieke WoutersInstitution: Ars Electronica Linz GmbH & Co KGComment:
  • video 6,'08 Album: Algida Bellezza, Netherworld (Glacial Movements) The video for the track Orcinus Orca followed the release of the album Algida Bellezza (Alessandro Tedeschi aka Netherworld, Glacial Movements, 2019). The music captured artist’s
  • Rafael Lozano-Hemmer was born in Mexico City in 1967. In 1989 he received a B.Sc. in Physical Chemistry from Concordia University in Montréal, Canada. Electronic artist, develops interactive installations that are at the intersection of
  • Zafra, Remedios. Netianas: N(H)Acer Mujer en Internet. Madrid, Spain: Lengua de Trapo, 2005.
  • Ray, Tom. Netlife - Creating a Jungle on the Internet In Nonlocated online: digital territories, incorporations and the matrix - Medien Kunst Passagen 3/94, edited by Knowbotic ResearchVol.3. Medien Kunst Passagen, Köln, Wien: Passagen Verlag,
  • Ray, Tom. Netlife - das Schaffen eines Dschungels im Internet In Stadt am Netz, Ansichten von Telepolis, edited by Stefan Iglhaut and Armin Medosch and Florian Rötzer, 118-126. Berlin: Bollmann Verlag, 1996.