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  • iX Symposium -
    Event: iX SymposiumInstitution: SAT, Société des arts technologiques de MontrealComment:
  • Ellen Sandor is a new media artist, and Founder/Director of the collaborative artists’ group, (art)n. In 1975, she received an MFA in Sculpture from the School of the Art Institute of Chicago. Her MFA studies at SAIC led her to explore the
  • A human sized real kaleidoscope creates colorized feedback patterns from faces. Exhibited at the Massachusetts Institute of Technology, and the SIGGRAPH 1988 Art Show in Atlanta.
  • OSMOSE - video
    An immersive interactive virtual-realty environment installation with 3D computer graphics and interactive 3D sound, a head-mounted display and real-time motion tracking based on breathing and balance. Osmose is a space for exploring the perceptual
  • Conversation -
    Prompting a continuum between nature and culture, between species, and among the senses, Kac’s work questions the structures, mediations, and ultimately the supremacy of vision in art, while promoting synesthetic experiences that rearticulate
  • A virtual projection installation created the illusion of looking through the theatre entrance doors at fictional scenes situated in the real space outside the theatre. The installation used the same augmented-reality technology that was first
  • LUCENA, TIAGO FRANKLIN RODRIGUES and SUÉLIA RODRIGUES FLEURY ROSA and CRISTIANO JACQUES MIOSSO RODRIGUES MENDES and DIANA MARIA G DOMINGUES. The pathos of the city: Wearable mobile technologies in public health Ubiquity: The Journal of Pervasive
  • DOMINGUES, DIANA MARIA G. Rituels Énactifs Affectifs et La Naturalization des Technologies: entre le corps et le calcul, la transe et l’algorithme In Pour un imaginaire numérique avec Edmond Couchot, edited by Marie-Hélène TRAMUS and Sophie DASTE
  • DOMINGUES, DIANA MARIA G. The clarity of Edmond Couchot's thought: from interactive rituals to affective enactive systems conducive to the naturalization of technology In For a digital imagination with Edmond Couchot. Hybridizations between the
  • Twenty years ago, Mary Louise Pratt proposed the notion of a “contact zone” as a place where culture is negotiated and challenged. Art can bridge or destabilize disciplines and methods in ways that reframe histories and bring new insights. Still, on