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  • Baudrillard, Jean. Illusion, Desillusion, Ästhetik In Illusion und Simulation. Begegnung mit der Realität, edited by Stefan Iglhaut and Florian Rötzer and Elisabeth SchweegerOstfildern-Ruit: Hatje Cantz, 1995.
  • Baudrillard, Jean. Das perfekte Verbrechen. München: Matthes and Seitz, 1996.
  • Kunsthalle Wien, ed. Binaera: 14 Interaktionen - Kunst und Technologie. Wien: 1993.
  • Can algorithms ensure greater neutrality and efficiency? Are they as free from human bias as we usually think? The exhibition ‘Codes and algorithms. Wisdom in a calculated world’ seeks to make sense of this phenomenon and it’s implications. n recent
  • Águeda Simó is a multimedia and research artist who investigates and teaches the interaction between art and science using new technologies. She started her artwork in the field of video developing an aesthetic that led her to work with computer
  • Campos | Temporales (2022 - 2023) by Paul Hertz is a large-scale architectural video installation created for 150 Media Stream in Chicago, featuring a musical composition by Christopher Walczak during its opening night.
  • Bullinger, Hans-Jörg and Wolfgang Bauer. Strategische Dimensionen der Virtual Reality In Virtual Reality ´94, edited by Hans-Jörg Bullinger and H.J. Warnecke: 1994.
  • "Geometries of Power" is a multi-user online 3D world that uses the interactive characteristics of space, geometry and sound to question concepts of power and control. Beginning with the blank canvas of a faceless modern city, participants
  • Bassin, Aleksander. Magija umetnosti. Protagonisti slovenske sodobne umetnosti 1968 – 2013/La magia dell’arte. I protagonisti dell’arte Slovena contemporanea 1968 – 2013, Villa Manin, Passariano di Codroipo, Italy. Ljubljana: DLUL, 2013.
  • Sommerer, Christa and Gerald Bast and Wolfgang Fiel. Solar Display: A Self-powered Media Facade In New Realities: Being Syncretic, Consciousness Reframed: The Planetary Collegium’s IXth International Research Conference, edited by Roy