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  • The Supernova Spectacle
    »The Supernova Spectacle« was produced within Ellen Sandor’s Fermilab 2016 residency. During the residency, Sandor and (art)n in collaboration with Fermilab scientists translated research data on neutrinos into the visual artworks at the
  • The Magnificent MicroBooNE: Science Through the Art of Jackson Pollock and David Smith
    »The Magnificent MicroBooNE: Science Through the Art of Jackson Pollock and David Smith« was produced within Ellen Sandor’s Fermilab 2016 residency. During the residency, Sandor and (art)n in collaboration with Fermilab scientists translated
  • The PHSCologram Imagery for AIDS Virus
    The PHSCologram depicts the first computer-generated illustration of the AIDS virus, as known in 1987 when HIV infection was causing millions of deaths around the world. The image represents a colorized CAT scan of a person called Messiah who passed
  • NaCl
    NaClArtist: Ellen SandorComment:
  • The Equation of Terror
    Working extensively with social-political context from the 1980s, in 1991 (art)n created »The Equation of Terror« which referred to the Gulf War. The work entailed animated mathematical equations and PHSColograms which depicted economic, biological
  • Have a Nice Day
    The scenery referring to Martyl Langsdorf’s painting "Doomsday Clock Have a nice day" is contrasted with Martyl’s Doomsday Clock which she originally designed for the cover of the Bulletin of the Atomic Scientists magazine in 1947. The “Bulletin”,
  • New Media Futures. The Rise of Women in the Digital Arts
    Cox, Donna J. and Ellen Sandor and Janine Fron. New Media Futures. The Rise of Women in the Digital Arts. Urbana, Champaign: University of Illinois Press, 2018.
  • Artists Team Up for the Future: Behind the Scenes of Making Art in the 21st Century
    Sandor, Ellen and Janine Fron. Artists Team Up for the Future: Behind the Scenes of Making Art in the 21st Century (art)n web site (2002).
  • The Future of Video Games as an Art: On the Art of Playing with Shadows
    Fron, Janine and Ellen Sandor. The Future of Video Games as an Art: On the Art of Playing with Shadows The University of Chicago Cultural Policy Center (2001).
  • Fernando Orellana
    Currently an Assistant Professor developing an electronic art program at Union College in Schenectady, NY, Fernando Orellana uses new and traditional media as a way of transmitting concepts that range from generative art to socialpolitical
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