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La Machine à idées
2002
-
2002
Sur un site de vente de produits high tech, la possibilité offerte au visiteur de participer à la conception de nouveaux produits avec l'aide active d'une interface de création, cataliseur d'innovation. conception: Maurice Benayoun design:
Conor McGarrigle
Conor McGarrigle is an artist and researcher working at the intersection of digital networks and real space. Coming from a background in net art, his work is concerned with the ways that digital networks are entangled in all aspects of everyday
Optical Diffraction
2021
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2021
Video installation – diptych: Upper part: video projection: Bodyfraction 2020 (Uršula Berlot & Sunčana Kuljiš), Hyperoptics 2021 (Uršula Berlot); sound: Scanner – Robin Rimbaud Lower part: light image-object: laser-cut and digital print on
Stock Market Skirt
A blue taffeta and black velvet party dress is displayed on a dressmaker's mannequin or 'Judy,' located next to a computer and several monitors of varying sizes. In large type, the stock ticker symbol and price which is being tracked,
Swarming Lounge 2.0
2022
Mixed-reality installation with live and virtual performers, encountered via the smartphones of the visitors. Real and virtual situations come together, and micro-narratives emerge, based on shifting degrees of presence, traces of daily gestures and
Sylvia Eckermann
... modern Art Helsinki, FI 2003;
ZOOM
, Museums Quarter, Vienna, AT 2005;...
The New Dunites
2009
-
2013
video
“The Ten Commandments was renowned for the massive set constructed in California's Guadalupe-Nipomo Dunes -- some pieces stood over 30 metres tall. Worried that rival film studios might use the facsimiles of an ancient palace, massive Pharaoh
Yiannis Melanitis
... to prognosticate that even
official
, state structures of...
Exploded Views
2008
-
2008
... theme in mind and furthermore,
zoom
ing in on the local appearance of...
Collector
2015
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2015
Collector- a man with an electromechanical street-organ. He walks out to the streets of any city, to any place and just rotates the handle of his instrument. Yet, instead of the repetitious reproduction of the pre-inscribed melodies the street-organ
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