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  • LAB 1: ART+COM - Virtual Reality and The Divine Spark -
    ... would have a computer in their home. It was a rather futuristic goal to explore the computer as a tool and medium for communication. But in West Berlin, there was already a nucleus of digital media. Edouard Bannwart, a professor of urban studies, was...
  • WRO 01: Screens / raise of Cyberspace -
    ... art's present state. On one hand it seems appealed by fast development of cognitive horisons and expression of new communication spaces, and on the other hand is closely tied to SCREENS (computer, television, projection ones), which presence is...
  • Diaa Ahmedien
    ... Holography, Interactive arts, Generative arts, Processes arts, Neuro-aesthetics, Autopoietic aesthetic systems, and visual communication. Diaa graduated magna cum laude with a Ph.D. (Dr. Phil) in sciences of visual arts and New-Media arts from the...
  • Gabriela Aceves Sepúlveda
    ... articles on Latin American feminist media in Media-N, The Journal of the New Media Caucus, Platform: Journal of Media and Communication, and Artelogie: Recherches sur les arts, le patrimoine et la littérature de l’Amérique latine. Her multimedia...
  • MEDIA FACADES FESTIVAL EUROPE -
    ... businesses, media and the general public, within Europe and beyond, can interact through the development of a new cultural communication format in the public space.
  • Edward Kulemin
    ... Moscow Power Engineering Institute; - an artist, poet, author of many art-projects; - an inspirator and organiser of various communication creative societies (KEPNOS, Group of Unknown Artists, Smolensk School of Appologists, Association damned poets etc.); -...
  • [ epidemiC]
    ...[epidemiC] is a network of people working in sectors as diverse as art, computer science, anthropology, communication, history, and economy. [epidemiC] explores the phenomena arising from the intrusion of computer science's cultural behaviors into traditional ones. In...
  • Satellite Contact -
    ... connections between the material, functional, ontological and poetic qualities of the archive, as well as evoke networks of communication, digital data-flow and neo-Fordist production lines.
  • Fruit Machine - video
    ... aesthetic direction. The game as a primary modality of interactivity is chosen as the functional context for a strategy of communication (person/machine/person), and the related iconography of fruit is chosen for all of its associative values in an...
  • The Connection Machines CM-1 and CM-2 -
    ... over the tens of thousands of processors, all of which could perform calculations simultaneously. The structures for communication and transfer of data between processors could change as needed depending on the nature of the problem, making the...
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