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... number of frogs living in remote biomes, replacing the old analogic way methods. Abstract images, correspond to different levels of physical parameters determined from the sounds: temperature, humidity, and light conditions. The sonic enactive landscape...

... the primary material. Thanks to a fixed electrical sequence, the cymbal and its surrounding space undergo various excitation levels in an abstract, cyclic narrative that explores the complexity of the instrument’s vibrational spectrum. What is heard and...

... instability. The dialogue of the visitor with the star touched by the interface, causes the figures approximation in several levels, whose shapes enter in the void of the landscape and incite illusions of the senses by the immateriality of the stereoscopic...

... Fels. Otherwise separated visualisations are interweaved, resulting in a more complex and global view on their symbolic levels.

... direct match with an original celebrity earns a 2nd generation tag. It follows that a comparison with subsequent generation levels moves you further down the lineage. This "ancestry of fame" is also displayed in its entirety. Once a visitor is captured,...

...Machinery on the memory line of the configuration file... The 3 levels of images: Foreground-Matte-Background (Front-Back-Matte) The 3 levels of commodities: Sensitive-No-Sensitive-Suprasensitive. Oculus Oracle The labourer is distinguishable only as instrumentum...

... a printed vocabulary of “keywords” extracted from the interviews. These three elements offer the visitors differentiated levels of access to the project. The interactive work is projected in large format within a cubicle created in the space of the gallery....

... Center in Long Island City, NYC. Video clips are mixed and projected onto a screen, triggered by to the surrounding sound levels, becoming strongest when the subway overhead passed.

... Art-Avant X) is transformation in the beauty of decay and nonexistence. In the change of sight and hearing, reality and the levels of being resonate. Form and formlessness become inseparable. The unknown emerges, moves, penetrates into the observer, into us...

... Fully interactive and collaborative, this work becomes an art piece only when someone actively engages. There are different levels of interactivity: the work responds to natural phenomena, such as the wind, and to the physical movements of visitors, offering...