Archive Search

  • ...Performers tele-dialogue from two distinct places with a single spectator at a time, whose shadows become the theater of the work. Each performance is unique and constitutes a singular experience for the visitor, who is no longer only a passive observer but who,...
  • ... aspects of technology. It confronts a media saturated world in which popular culture rules, using video, computers, performance, installation, mobile and online technologies to ask questions about the ideologies present in the information that...
  • ...Salter, Chris. Environments, Interactions and Beings: The Ecology of Performativity and Technics In Interfaces of Performance, edited by Maria Chatzichristodolou and Rachel Zerihan and Jannis JeffriesLondon: Ashgate, 2009.
  • ...Performers tele-dialogue from two distinct places with a single spectator at a time, whose shadows become the theater of the work. Each performance is unique and constitutes a singular experience for the visitor, who is no longer only a passive observer but who,...
  • ... servomotors. Suspended above the stage, these mirrors reflected beams of light from follow-spot projectors and during the performance were moved about according to programmed and improvised choreographies. In certain positions these mirrors also offered...
  • ... truth-making and memory. In keeping with these enquiries, my work extends into various forms such as video, sound, performance, drawings and installations.
  • PointScreen - video
    ... capacity is, the less the light is lit or even only flickers. The electric, peeping MARS bags (1998) were designed for a performance. Peter Weibel comments on the MARS bags as anti-theft art object. The MARS table, a sensor-controlled sounding plateau...
  • ... involved in extensive collaborative work. She pioneered video, Brain-Computer Interfaces, and was part of the feminist video performance movement of the 1970s.
  • ... screen) is filling up with blood until the whole screen is covered and I am no longer visible." Taken from a sketch for the performance. Shown at the tv-show "Club 2" on ORF at 3/8/1979.
  • Performance at the Stage for Music Visualisation of the Digital Beethoven-House