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  • ... gender as a playful tangible disguise based on space identities and role models deconstructed in the intercultural hybrid performances. She creates mainly in time-based media - video, performance and interactive installation. In 2014 she received a MA...
  • ...e-Spotting (Emotion Spotting) Internet VR installation a music/internet performance and installation at the Palazzo Strozzi Seen as the world nervous system, the Net should now be the best way to know where pain and pleasure are located on the planet....
  • ...Performers tele-dialogue from two distinct places with a single spectator at a time, whose shadows become the theater of the work. Each performance is unique and constitutes a singular experience for the visitor, who is no longer only a passive observer but who,...
  • ... aspects of technology. It confronts a media saturated world in which popular culture rules, using video, computers, performance, installation, mobile and online technologies to ask questions about the ideologies present in the information that...
  • ...Salter, Chris. Environments, Interactions and Beings: The Ecology of Performativity and Technics In Interfaces of Performance, edited by Maria Chatzichristodolou and Rachel Zerihan and Jannis JeffriesLondon: Ashgate, 2009.
  • ...Performers tele-dialogue from two distinct places with a single spectator at a time, whose shadows become the theater of the work. Each performance is unique and constitutes a singular experience for the visitor, who is no longer only a passive observer but who,...
  • ... servomotors. Suspended above the stage, these mirrors reflected beams of light from follow-spot projectors and during the performance were moved about according to programmed and improvised choreographies. In certain positions these mirrors also offered...
  • ... truth-making and memory. In keeping with these enquiries, my work extends into various forms such as video, sound, performance, drawings and installations.
  • PointScreen - video
    ... capacity is, the less the light is lit or even only flickers. The electric, peeping MARS bags (1998) were designed for a performance. Peter Weibel comments on the MARS bags as anti-theft art object. The MARS table, a sensor-controlled sounding plateau...
  • ... involved in extensive collaborative work. She pioneered video, Brain-Computer Interfaces, and was part of the feminist video performance movement of the 1970s.