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  • mitry Gelfand (b.1974, St. Petersburg, Russia) and Evelina Domnitch (b. 1972, Minsk, Belarus) create sensory immersion environments that merge physics, chemistry and computer science with uncanny philosophical practices. Current findings,
  • Wishart, Adam and Regula Bochsler. Leaving Reality Behind: Etoy vs eToys.com \& other battles to control cyberspace. New York: Ecco, 2003.
  • The animation Global Vulva connects female figures and vulva symbols from different times, countries and cultures, while they morph into each other - the cultural meaning of the female genital becomes visible again. You'll see paleolithic
  • Dmitry Gelfand (b.1974, St. Petersburg, Russia) and Evelina Domnitch (b. 1972, Minsk, Belarus) create sensory immersion environments that merge physics, chemistry and computer science with uncanny philosophical practices. Current findings,
  • BEAP 2002: PREMISE -
    BEAP is an international event which includes a conference,symposiums, forum and exhibition presenting the theoretical, cultural and philosophical basis of Electronic Arts practice. The inaugural thematic focus for BEAP is LOCUS, the place where we
  • transmediale '00 -
    The transmediale 00 festival occurred at the turn of the millenium: the whole world was speculating about major computer break downs, philosophies that go astray discovering never-imagined paths of cognitive territory, and the world took one step
  • Baudrillard, Jean. Kool Killer oder Der Aufstand der Zeichen. Berlin: Merve, 1978.
  • Baudrillard, Jean. Der symbolische Tausch und der Tod. München: Matthes and Seitz, 1982.
  • Jaroslav Vančát, Ph.D. New media artist – multimedia art, digital art, computer art, interactive art, visual structuralism, conceptual art, video art Associate Professor at universities in the Czech Republic, new media, visual arts and creativity
  • Baudrillard, Jean. Der Xerox und das Unendliche In Cyberspace. Zum medialen Gesamtkunstwerk, edited by Florian Rötzer and Peter WeibelGrafrath: Boer Verlag, 1991.