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William Kentridge
2009
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2009
South African artist William Kentridge has garnered international fame and admiration for performance, sculpture, drawings, and work in many other media, but his most indelible contribution is in animated film. Kentridge makes large-scale charcoal
Spring up Ⅱ-Coexistence
2014
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2014
Spring up II – Coexistence serves as an evolutionary product of the sound-sensitive installation of Spring up – it is a replication of its DNA. This continuation of life is just like cell division, the fundamental process of organism growth and
Brainwash
1997
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1997
video
In Brainwash the actor and audience watch the turning of a black and white striped drum. This drum is both an early cinematic zoetrope and a diagnostic neurological tool. Certain individuals suffer from cerebellar tumors and strokes leading to a
REFLECTIVE TRANSITORINESS
2006
Kinetic light installation reflective foil, artificial resin, rotating motor, lights, plexiglass, light reflections variable dimensions A transparent picture is suspended on a rotating engine installed on the ceiling and is illuminated by two
Trisolaris Chinoiserie
2021
The animation derives from the chinoiserie style frescos on the Hillside Palace of Pillnitz Castle. Fragments of these appear on revolving globes, like heavenly spheres. The three globes allude to the science fiction trilogy Trisolaris by Cixin Liu.
Seeing Double
2008
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2008
The exhibition is structured primarily around the discourse of vision and optics and centered around a new eight-minute anamorphic film, titled What Will Come (2006), which takes its title from a Ghanaian proverb: "What will come has already come."
GLK 03x
2012
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2012
Archival Digital Print, Sizes: 8”x10” and 13”x19” Pigment Inks on cotton rag substrate or Light Jet digital photo prints. (Also available in larger sizes or NFT by special order) Date created: 2012 This video still derives from a visual music work
GLK 07z
2012
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2012
Archival Digital Print, Sizes: 8”x10” and 13”x19” Pigment Inks on cotton rag substrate or Light Jet digital photo prints. (Also available in larger custom sizes or NFT by special order) Date created: 2012 This video still derives from a visual music
Diabolo ex machina. dérives malignes de la Sainte Ecriture dévoyée par la technologie
1996
Benayoun, Maurice. Diabolo ex machina. dérives malignes de la Sainte Ecriture dévoyée par la technologie Sarazine 4 (1996).
Fusion critique, de l’espace urbain et de ses dérives numériques
2007
Event: Fusion critique, de l’espace urbain et de ses dérives numériquesInstitution: Colloque Hyperurbain, Université Paris 8Comment:
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