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Denis Masi
Masi studied at Seton Hall University, N.J. USA, Brera Academy of Fine Art, Milan, Italy, PG Studies at Slade School of Fine Art and Chelsea School of Art, London, UK. Denis Masi is an experimental artist who has worked, for 40 plus years, across a
La Défense
1990
Event: La DéfenseInstitution: Tech ImageComment:
2019 “Making of Eve Clone III”, The Fine Arts Museum of National Defense, Taipei, Taiwan
2019
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2019
2019 “Making of Eve Clone III”, The Fine Arts Museum of National Defense, Taipei, Taiwan
Pornéia
2016
FROM THE BACK COVER "These previously unissued recordings from the Porn Art Movement (1980-1982) include five performances recorded live on Ipanema Beach in 1982, as well as a selection of previously unheard studio recordings of my yellpoems
@rt Outsiders International Digital Art Festival 2007 – Territoires Invisible
2007
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2007
2007 Maison de la Photographie, Sept 12-30 2007 Art@utsiders - Territoires Invisible http://www.art-outsiders.com/default_eng.htm (exhibiting artists: Charles & Ray Eames, Semiconductor, Ken Goldberg & Karl Bohringer, Gregory Chatonsky, Victoria
Transarchitectures/ Liquid Architectures: iso4D
1991
Computer Animation A liquid architecture is an architecture whose form is contingent on the interests of the beholder; it is an architecture that opens to welcome you and closes to defend you; it is an ar chitecture without doors and hallways,
"La Provence au Pernambouc"
2006
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2006
En 2005, Aix-en-Provence a accueilli l'année du Brésil, où s'est développé de juin à novembre le projet "Pernambuco! art contemporain - culture populaire ". Les expositions et divers événements ont permis de porter un regard sur cet État du Nordeste
Liquid Selves
1992
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1992
This piece depicts the upcoming struggle between the virtual and physical sides of our selves. As technology brings us the age of virtual worlds, our existence as individuals becomes less and less dependent on our physical being. Our virtual
Distributed Legible City
1998
video
This new version of The Legible City (1989) encompasses all the experiences offered by the original version, but introduces an important new multi-user functionalty that to a large extent becomes its predominant feature. In the Distributed
Narrative Landscape
1985
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1995
video
In this installation images are projected onto a large screen lying flat on the floor of the exhibition space. The spectators stand on a surrounding balcony where a joystick enables any one of them to interactively operate the work by panning in any
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