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  • 1995 VideoFest saw beyond the end of ist own nose and explored in detail what the new maigc word Multimedia stands for in the realm of CD-ROM and Internet artworks. There were performances, discussions, an exhibition and workshops.
  • "Art and Body" was the general topic of EMAF 1995. Many artists had chosen the human body to be the focal point of their projects, and they also brought up the question of the influence the expansion of interactive media has on the individual. The
  • Event: Slovene Art 1995-2005: Territories, Identities, NetsInstitution: Museum of Modern Art LjubljanaComment:
  • Event: BAC Biennale d'Art Contemporain de Lyon 1995Institution: Musée d'art contemporain de LyonComment:
  • Art critic and curator, essayist, journalist. She founded the website Synesthesie in 1995, the first French-speaking website on art, has carried the project for 20 years (with an online and paper review, exhibitions, a virtual art center, the
  • Anderson, Isabel. Prints and Pixels Newsprint: Journal of the Los Angeles Printmaking Society (Winter 1995).
  • DOMINGUES, DIANA MARIA G. De La Fenêtre au Labyrinthe: Les technologies, le corps et le plaisir des relations Isea Inter Society Eletronic Arts, Montreal 1 (1995): 64-65.
  • DOMINGUES, DIANA MARIA G. L'Image, Les Circuits Electroniques Et L'Esthetique Et La Metamorphose L'esthetique Des Art Mediatiques, Montreal 2 (1995): 31-38.
  • Nuzzle Afar -
    "Nuzzle" is a shared 3D virtual environment art work, using digital networking technology. It realizes a new type of communication space where people can meet and talk to each other as avatars from several telematic immersive computer terminals.
  • Legal Tender -
    Legal Tender (1996) was the first Internet telerobotic laboratory. Visitors to www.counterfeit.org were presented with a pair of US$100 bills, one real the other counterfeit. Users could perform experiments on the bills by registering with an