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  • Touching, Traces: The 2020 COVID Election Diaries -
    In the first year of the coronavirus pandemic it was thought that transmission was primarily through physical contact. We were hyperaware of the surfaces we touched and of the traces that may or may not be on those surfaces. Indeed, for those alone
  • L´immagine multimediale
    Marini, Daniele. L´immagine multimediale. München: Addison-Wesley, 2001.
  • Population Dynamics of Digital Organisms
    Ray, T. S.. Population Dynamics of Digital Organisms In Artical Life II - Video Proceedings, edited by Christopher G. LangtonRedwood City, CA: Addison-Wesley, 1991.
  • Evolution and Complexity
    Ray, Tom. Evolution and Complexity In Complexity: Metaphors, Models, and Reality, edited by George A. Cowan and David Pines and David Metzger, 161-173. Boston, MA: Addison-Wesley Publishing Co, 1994.
  • The Computer in the Visual Arts
    Spalter, Anne Morgan. The Computer in the Visual Arts. Boston, MA: Addison-Wesely Longman Publishing Co., 1998.
  • 3D-Computergrafik und -animation. Mit einer Beschreibung von Autodesk 3D Studio
    Brugger, Ralf. 3D-Computergrafik und -animation. Mit einer Beschreibung von Autodesk 3D Studio. Bonn, München, Paris: Addison-Wesely, 1993.
  • Virtual Interface Environments
    Fisher, Scott S.. Virtual Interface Environments In The Art of Human-Computer Interface Design, edited by Brenda Laurel and Joy MountfordBoston, MA: Addison-Wesely, 1990.
  • Artificial Reality II
    Krueger, Myron. Artificial Reality II. Amsterdam: Addison-Wesely Longman, 1991.
  • The Art of Computer Programming
    Knuth, Donald. The Art of Computer Programming. Vol.Vol. 1. München: Addison-Wesely, 1997.
  • Computers as Theatre
    Laurel, Brenda. Computers as Theatre. Amsterdam, NL: Addison-Wesely Longman, 1991.
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