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  • Cinema-Transcode
    Lizalde, Néstor. Cinema-Transcode. Spain: DOSSIER, 2011.
  • Boca en la red
    Lizalde, Néstor. Boca en la red. Spain: DOSSIER, 2009.
  • Home Transfer -
    HOME TRANSFER looks at the relationship between home, architecture and new technologies. The interactive and participatory ‘net-art’ work unfolds via a menu composed of three 'chapters': Guest, Host, and Parasite. The work explores changing notions
  • Netart latino database
    Casares, Nilo and Giselle Beigelman and Laura Baigorri and Brian Mackern and Lila Pagola and Gustavo Romano, ed. Netart latino database. Vol.1. 1ª th ed.Badajoz, Spain: MEIAC, 2010.
  • 15 years of NetArt
    WJ-SPOTS, ed. 15 years of NetArt. Paris, France: WJ-SPOTS, 2009.
  • Extranjería como contexto. Interculturalidad y arte digitaliberoamericano
    García Canclini, Néstor and Pat Badani, ed. Extranjería como contexto. Interculturalidad y arte digital iberoamericano. Vol.ISBN: 978-987-1496-03-7. pages 77 to 89, Extranjeros en la Tecnología y en la Cultura th ed.Buenos Aires, Argentina:
  • Extranjería como contexto. Interculturalidad y arte digital iberoamericano
    García Canclini, Néstor and Pat Badani, ed. Extranjería como contexto. Interculturalidad y arte digital iberoamericano. Vol.Book chapter. ISBN: 978-987-1496-03-7, Extranjeros en la tecnología y la cultura th ed.Buenos Aires, Argentina: Colección
  • Susan Collins
    Susan Collins (b. 1964 London) is one of the UK's leading artists working with digital media. For the past decade the collision between the real and the artificial or virtual has been a key area of investigation. Collins works across public, gallery
  • Winner of The Prix Net Art, 2014: JODI
    Michael Connor, Samantha Culp, Zhang Ga, and Sabine Himmelsbach. Winner of The Prix Net Art, 2014: JODI https://prix-netart.org/past-winners/ [PRIX NET ART, October 2014].
  • Hotel Synthifornia
    "Hotel Synthifornia ironically paraphrases the Eagles all-time-classic: 'Such a lovely place, such a lovely face... Relax!' Find yourself caught by the schizophrenic interpretation of a shoot-up game like Epic Games' Unreal. The semantic shift from
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