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Portrait on the Fly – Fly Objects
2018
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2018
Fly Objects © 2018, Christa SOMMERER & Laurent MIGNONNEAU represented by: Galerie Charlot, Paris Galerie Anita Beckers, Frankfurt Fly Objects is collection of artworks in different forms and formats, they are all based on the motif of the fly.
E[Y]GG[E]
2000
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2000
video
E[Y]GG[E] is an interactive Net Art / E-Poetry piece created in Flash in the year 2000. It is a meditation about time and space on the Net and elsewhere. Exhibited i.e.: AJAC 2000 Art Show, Metropolitan Art Museum Tokyo, Japan, 2000; Faculty
Virtuelle Räume im Reich der Sinne
1993
Shaw, Jeffrey. Virtuelle Räume im Reich der Sinne In Kultur und Technik im 21. Jahrhundert, edited by Gert Kaiser and Dirk Matejovski and Jutta Fedrowitz, 329-334. Frankfurt, New York: Campus Verlag GmBH, 1993.
Auf dem Weg zu einer neuen Mediensprache / On the Way to a New Media Language
1993
Zapp, Andrea. Auf dem Weg zu einer neuen Mediensprache / On the Way to a New Media Language In Computer Art Faszination, edited by Gerhard Dotzler, 236. Frankfurt/Main: Dr. Dotzler Medien Institut, 1993.
Theorie des Films: Die Errettung der Äußeren Wirklichkeit
1985
Kracauer, Siegfried. Theorie des Films: Die Errettung der Äußeren Wirklichkeit. Frankfurt/Main: Suhrkamp-Taschenbuch Wissenschaft, 1985.
Die Unsichtbarkeit der Welt. Eine visuelle Kritik neuzeitlicher Ontologie
1997
Pape, Helmut. Die Unsichtbarkeit der Welt. Eine visuelle Kritik neuzeitlicher Ontologie. Frankfurt/Main: Suhrkamp, 1997.
Critical Art Ensemble
Critical Art Ensemble (CAE) is a collective of five tactical media practitioners of various specializations including computer graphics and web design, film/video, photography, text art, book art, and performance. Formed in 1987, CAE's focus has
[ epidemiC]
[epidemiC] is a network of people working in sectors as diverse as art, computer science, anthropology, communication, history, and economy. [epidemiC] explores the phenomena arising from the intrusion of computer science's cultural behaviors into
Hegedus
Agnes Hegedüs, born in Budapest in 1964 studied Photography and Video Art at the Budapest Academy of Applied Arts, followed by the Minerva Academy, Groningen, the Kunstakademie Enschede and the Institute of New Media, Städelschule, Frankfurt/Main.
Video als Raumkunst
1992
Weibel, Peter. Video als Raumkunst In Video – Apparat/Medium, Kunst, Kultur. Ein internationaler Reader, edited by Siegfried Zielinsky, 147-151. Frankfurt/Main, Bern, New York, Paris: Peter Lang Verlag, 1992.
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