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RGB VW
1991
-
1991
This work was conceived in relation to a particular location, a disused automobile factory in Karlsruhe. Such a space is clearly significative of industrial culture. But we are now shifting towards a more immaterial fascination - the media
Hierosgamos
1987
-
1987
Length: 1min. 30sec. Two repetitive movements are conjugated on either side of the screen: a young naked girl blows up a red heart shaped balloon, and an animated sequence from Muybridge shows two boys jumping over each other. (A. Hegedüs)
Ise D'oil
1988
-
1988
... and their capacities
for
union. The idea is...
Image To Paul Klee
1989
-
1989
Length: 4min. 30sec. Electronic frequencies determine certain computer generated patterns and at the same time the movement of sand particles. The videographic inteference of these two images creates a poetic aspect akin to certain works of Paul
Bubble Order
1988
-
1988
Length: 5min. 30sec. A stream of water recorded from two different camera angles becomes a cross on the screen. The movement of texts and digital wipe patterns in horizontal/vertical axis are coupled with the harmonic frequencies of a computer
125. Fragment
1990
-
1990
A series of portraits by Archimboldo (Seasons, Elements) are digitally interwoven to create a symultaneous montage of their pictorial elements. (A. Hegedüs)
And Grind Hard Stones To Meal
1989
-
1989
Length: 6min. 30sec. Two rectangles turn like prayer wheels on either side of a vertical videographic axis. They show the resonances of a thin layer of sand as it is effected by the audio frequencies of Tibetan music - a conjunction of science and
The Encoded Eye, the Archive, and its Engine House
1998
-
2000
The Encoded Eye, the Archive, and its Engine HouseArtist: David TomasComment:
Understanding Echo
1999
Awarded a DA2 Open Commission, Martin Rieser has created Understanding Echo, an interactive installation that re-awakens the mythological figure from the Echo and Narcissus myth. In the centre of a darkened room hang a number of translucent
ZENetic Computer
2003
... fellow at the Center
for
Advanced Visual Studies...
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