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  • The animation derives from the chinoiserie style frescos on the Hillside Palace of Pillnitz Castle. Fragments of these appear on revolving globes, like heavenly spheres. The three globes allude to the science fiction trilogy Trisolaris by Cixin Liu.
  • Seeing Double -
    The exhibition is structured primarily around the discourse of vision and optics and centered around a new eight-minute anamorphic film, titled What Will Come (2006), which takes its title from a Ghanaian proverb: "What will come has already come."
  • GLK 03x -
    Archival Digital Print, Sizes: 8”x10” and 13”x19” Pigment Inks on cotton rag substrate or Light Jet digital photo prints. (Also available in larger sizes or NFT by special order) Date created: 2012 This video still derives from a visual music work
  • GLK 07z -
    Archival Digital Print, Sizes: 8”x10” and 13”x19” Pigment Inks on cotton rag substrate or Light Jet digital photo prints. (Also available in larger custom sizes or NFT by special order) Date created: 2012 This video still derives from a visual music
  • Benayoun, Maurice. Diabolo ex machina. dérives malignes de la Sainte Ecriture dévoyée par la technologie Sarazine 4 (1996).
  • Event: Fusion critique, de l’espace urbain et de ses dérives numériquesInstitution: Colloque Hyperurbain, Université Paris 8Comment:
  • Manu Luksch, founder of Ambient Information Systems (ambientTV.NET,) is filmmaker who works outside the frame. The "moving" image, and in particular the evolution of film in the digital or networked age, has been a core theme of her works.
  • Artist and filmmaker William Kentridge has earned international acclaim for creating distinctive animated films that address the political and cultural climate of his native South Africa. In Tide Table (recently acquired by The Rose), the artist
  • Event: Dérives singulières de la photographieInstitution: Rencontres photographiquesComment:
  • Event: Le jardin virtuel et autres dérives de la natureInstitution: colloque Le virtuel et le lierre, Fontevraud AbbeyComment: