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Narcissus'; Well: Mirror Gaze
This sensation of absorption and the loss of ones presence also finds its roots in the fear of souls being captured in mirrors. The Etruscan word for soul, hinthial, literally means, "image reflected in a mirror." [prototype installation] (source:
Narcissus' Well: Reflection
In contemporary times we may ask: is the search for self-knowledge extended and amplified through the medium of digital media? Or, do we find ourselves in a crisis - like that of Narcissus confusion or the loss of the soul - in which we can no
Unreflective Mirror
2005
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2006
Surveillance camera, surveillance video monitor, custom-made polarized filter glasses, PC, data projector x 2 This virtual mirror effectively erases the presence of the spectator, manipulating and questioning notions of identity and
World Emotional Mapping (e-maps)
2005
Internet, search engine, cartography Maps from the World Nervous System With today's communication networks, the world is equipped with an extensive virtual nervous system. From anywhere in the world one can feel what's happening anywhere
War Tourists
2008
Photos, Installation Visitors of World Skin, a Photo Safari in the Land of War at FACT Liverpool exhibition sk-interface
Narcissus' Well: Pepsi Pavilion
Narcissus' Well was originally inspired by the seminal Pepsi Pavilion, which was created by E.A.T. (Experiments in Art & Technology) for Expo 70 in Osaka, Japan. In the Pepsi Pavilion, a 90-foot diameter spherical mirror engaged viewers in the
Narcissus' Well: Research Exhibit
2003
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2006
Mirrors: the Real and the Virtual, an information display about the project on view at the NASA-Goddard Research Center in Greenbelt, MD, where the project was developed in collaboration with optics engineer Joseph Howard between 2003 - 2005.
Mori: The Telematic Embrace
Inside the entry curtain, visitors follow a fiber-optic cable to the center of the resonating enclosure where a portal through the floor frames the installation's focal point. The live seismic data stream drives an embedded visual display and
Digital Mudra
1987
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1987
"Digital Mudra" begins with a collection of photographs from Rapoport's interactive performance entitled Biorhythm (1983). Participants, to test their own evaluation of their biorhythm condition against a computer assessment of their
simply
2005
Standalone portfolio
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