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Beyond
1998
-
1998
In a playful spirit of philosophical inquiry, Beyond explores the paradoxes of technology, desire and the paranormal posed since the birth of mechanical reproduction: the phonograph severing the voice from the body, photography capturing the soul
Slippery Traces
1995
-
1996
Slippery Traces is a multi-linear visual narrative in which viewers navigate through a network of over 240 interconnected postcards classified into 24 categories or chapters. The intention of the work has been to explore database structures as a
Mediascape
1994
-
1996
video
...Mediascape
Art
ist: Marikki HakolaComment:
Tracing
1997
-
1997
... at institutions where I taught in San Francisco and Stuttg
art
. The p
art
icipants were asked to list brief descriptions of everyday...
A Sense of Place
1998
-
1998
... often, the reflection scenes are animated. Depending on the p
art
icular make-up of the database, (which objects the audience has...
Transitional Spaces
1999
-
1999
... over the main circular entrance space of the Siemens Headqu
art
ers. These characters are programmed to behave like the flocking...
Pockets full of Memories
2001
-
2001
... first exhibited in 1993 at the Yerba Buena Center for the
Art
s, San Francisco and "Equivalents II", first exhibited at...
Chance Encounters
2002
-
2002
... station platforms in Los Angeles, as p
art
of the Experimental
Art
for Riders program. The theme of the installation is the chance...
Watch Out!
2002
-
2002
The World wide Panoptikon increases global exposure. Is Big Watcher b[r]othering us? Should we be afraid of being seen or should we enjoy the World's transparency as a way of proclaiming everyone's difference? In Watch Out!
Akeno Project Vol 7
1999
-
1999
AKENO PROJECT VOL 7 is a telepresence performance between Magnusborg Studios, Porvoo, Finland and Somido Center, Tokyo, Japan. (Marikki Hakola)
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