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  • Julie Freeman works with natural systems and emergent technologies. Her large scale installations and online artworks have, since the early 1990s, pioneered her conceptual and critical approach to working with real-time data as a living and
  • More Than Us -
    Exploring climate prediction as a game of chance and of skill, More Than Us offers us a glimpse of the astronomically huge dataspace we exist in. Two communities of colourful geometric shapes drawn, or ‘recycled’, from Suprematist paintings of the
  • Dozent für Kunstgeschichte im Studiengang KulturMediaTechnologie an der Musikhochschule Karlsruhe, freier Journalist, Kunstkritiker, Lektor, Vortragender, Dozent.
  • Weibel, Peter. Freies Hirn im Cyberspace. Peter Weibel über Kunst und Medien der "Zweiten Moderne" Der Spiegel 3 (January 18th 1999): 187-189.
  • A premier survey of California-based McPhee’s experimental films from 2002-2011 will screen at 21:00 , 15 April , 2011 at Freies Museum, Potsdamer Strasse 91 Berlin. Curated by Klaus W. Eisenlohr of Director’s Lounge, Berlin.
  • This multipart work uses real-time data gathered from a colony of naked mole-rats, allowing a peek into their lives. The project reflects Julie Freeman’s fascination with their cooperative lifestyle and how it differs from human social organization.
  • Ototoxicity -
    Through the construction of a short story and the composition of a soundscape, this project and accompanying paper explores whether the dynamic ebb and flow of a story can be conveyed through abstract sound. The work is inspired by a text by
  • The Observatories -
    The Observatories asked: What techniques make us feel those fight-or-flight or must-buy-it-now urges? It also demonstrated how easy it is to manipulate people through subconscious smell. In standalone structures in the centre of Milton Keynes,
  • Event: Lange Nacht der MuseenInstitution: Freies Theater InnsbruckComment: