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The Art Collider
2010
-
2010
Artistic Statement The proliferation of networks and communication systems fosters the free circulation and the diversification of exchanges, which create a redistribution of values, as opposed to those in economics which are merely transactions.
Interview with Jeffrey Shaw (Part 1)
2011
video
Part I: on the embodied experience and the augmentation of space
Subtitled Public - Mexico City
2005
video
"Subtitled Public," 2005 computer, custom software, camera, projector variable dimension interactive installation Installation view at Sala de Arte Público Siqueiros, Mexico City, México. "Subtitled Public" consists of an empty exhibition space
Cardinal Directions
2010
video
"Cardinal Directions," 2010 Surveillance monitor, embedded computer, infrared sensors, robotic actuator, slip ring, stainless steel support, custom software, metal certificate 51.1" x 11.8" x 11.8" / 130 x 30 x 30 cm, free-standing sculpture edition
Level of Nothingness
2009
video
"Levels of Nothingness," 2009 Sept 17 - 21, 2009 The Guggenheim Museum, New York performance, installation dimensions variable Inspired by Vasily Kandinsky’s Yellow Sound (1912), Rafael Lozano-Hemmer created an installation where colors are
Interview with Jeffrey Shaw (Part 2)
2011
video
On what the temporal understanding of space and the play of memory
Interview with Jeffrey Shaw (Part 3)
2011
video
On what is data/metadata?
Interview with Jeffrey Shaw (Part 4)
2011
video
On the "convergence" of technology in industry and the possibility of "divergence" of technology in new media art
Interview with Jefrey Shaw (Part 5/Final)
2011
video
Part 5: On the relation between new media artist, industry and open source
Emotion Ringtones
2008
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2008
Emotion Vending Machine looks like a beverage vending machine, where users can select a range of emotions, shaped as dynamic cards, updated in real-time with web data. Users select three from a list of nine emotions, such as “fear”, “joy” or
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