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  • For the 10th anniversary, almost 1000 entries were submitted to the organising team for the various sections of the festival. In addition to Great Britain and the USA, numerous contributions were sent from New Zealand, Japan, Romania and Brazil.
  • Akhavein, Marina. Data Art in Cyberspace: George Legrady on Remote Learning https://www.hfa.ucsb.edu/news-entries/2020/11/15/data-in-cyberspace-george-legrady-on-remote-learning.
  • 2006 TransGenesis -
    Director and curator of the festival of biotechnology and art was part of the annual Week of scienceand technology organized by the Czech Academy of sciences. Over 40 articles, radio and TV entriesfeatured this festival in the Czech media.
  • Joan Leandre is a member of the Observatory Archives (http://desorg.org) since 1992. Interpreter and translator of media developes his activity between the laboratory (http://kubasik.biz) and the open sky with Maja Wolinska
  • Sometimes Always / Sometimes Never / Sometimes discusses the visual horizons of nomadic culture and its entropic and saturated environments. Its point of departure is that nowadays life is seen through windows and screens and each moment appears as
  • did you read the east -
    did you read the east? was a teleintervention conceived the 4th Arte/Cidade edition_ Artecidadezonaleste_ that linked an electronic billboard of São Paulo with any computer connected to the Web. Participants could choose an image on line, send
  • Trucold -
    TRUCOLD is a video work shot at night on the streets of London and - during a heavy fog - in Karlsruhe in Germany. The work comes out of Blast Theory's interest in physical displacement, amnesia and time travel and ties directly into other
  • Event: The Preservation of EntropyInstitution: Monash Gallery of ArtComment:
  • Event: The Entropy of Digital DebrisInstitution: University of GreenwichComment:
  • Electronic technology and surveillance have added a digital dimension to Foucauldian panopticism and expanded the ways in which nations can continually monitor and control visitors’ entry through their borders. This instantaneous access to massive