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  • February: 12th Japan Media Arts Festival Exhibition of Award-winning Works Dates: February 4–15, 2009 Venue: The National Art Center, Tokyo (Roppongi, Tokyo) Entries: 2,146 works (including 512 from overseas) Visitors: 55,243 people
  • February: 13th Japan Media Arts Festival Exhibition of Award-winning Works Dates: February 3–14, 2010 Venue: The National Art Center, Tokyo (Roppongi, Tokyo) Entries: 2,592 works (including 673 from overseas) Visitors: 63,348 people
  • February: 14th Japan Media Arts Festival Exhibition of Award-winning Works Dates: February 2–13, 2011 Venue: The National Art Center, Tokyo (Roppongi, Tokyo) Entries: 2,645 works (including 694 from overseas) Visitors: 70,126 people
  • February: 16th Japan Media Arts Festival Exhibition of Award-winning Works Dates: February 13–24, 2013 Venue: The National Art Center, Tokyo (Roppongi, Tokyo), etc. Entries: 3,503 works (including 1,502 from overseas)
  • For the 10th anniversary, almost 1000 entries were submitted to the organising team for the various sections of the festival. In addition to Great Britain and the USA, numerous contributions were sent from New Zealand, Japan, Romania and Brazil.
  • Akhavein, Marina. Data Art in Cyberspace: George Legrady on Remote Learning https://www.hfa.ucsb.edu/news-entries/2020/11/15/data-in-cyberspace-george-legrady-on-remote-learning.
  • 2006 TransGenesis -
    Director and curator of the festival of biotechnology and art was part of the annual Week of scienceand technology organized by the Czech Academy of sciences. Over 40 articles, radio and TV entriesfeatured this festival in the Czech media.
  • Joan Leandre is a member of the Observatory Archives (http://desorg.org) since 1992. Interpreter and translator of media developes his activity between the laboratory (http://kubasik.biz) and the open sky with Maja Wolinska
  • Sometimes Always / Sometimes Never / Sometimes discusses the visual horizons of nomadic culture and its entropic and saturated environments. Its point of departure is that nowadays life is seen through windows and screens and each moment appears as
  • did you read the east -
    did you read the east? was a teleintervention conceived the 4th Arte/Cidade edition_ Artecidadezonaleste_ that linked an electronic billboard of São Paulo with any computer connected to the Web. Participants could choose an image on line, send