Archive Search

Lisa Cianci. Applications of energy: a study of artists and entropy in the material In The Materiality of the Archive: Creative Practice in Context, edited by S. Breakell and W. Russell, 122-142. : Routledge, 2023.

Huhtamo, Erkki. The Pleasures of the Peephole: An Archaeological Exploration of Peep Media In Book of Imaginary Media: Excavating the Dream of the Ultimate Communication Medium, edited by Eric Kluitenberg, 74-155. Rotterdam: NAi, 2006.

Penny, Simon. Agents as Artworks and Agent Design as Artistic Practice In Human Cognition and Social Agent Technology, edited by Kerstin DautenhahnAmsterdam, NL: John Benjamins Publishing Company, 1999.

Durand, Guy Sioui. L´indiscipline: essai sur deux zones fluides de l´interdisciplinarité en art In Penser l’indiscipline : recherches interdisciplinaires en art contemporain, edited by Lynn Hughes and Marie-Josée LafortuneMontreal, CAN: Optica,

Huang, Jeffrey and Muriel Waldvogel. The Swisshouse: An Inhabitable Interface for Connecting Nations In DIS´04 Proceedings of the 5th Conference on Designing Interactive Systems: Processes, Practices, Methods, and Techniques, , 195-204. New York:

Hauser, Jens and Paul Thomas. Remediating Still Life, Pencils of Nature and Fingerprints In Relive: Media Art Histories, edited by Sean CubittLeonardo book series, , 275-307. Cambridge: MIT Press, 2013.

Bašin, Miloš. Uršula Berlot: Introspekcija/Introspection Bežigrajska Gallery 2, 1st. – 29th of September 2010. Ljubljana: Museum and Galleries of Ljubljana

Frieling, Rudolf and Dieter Daniels, ed. Medien Kunst Netz 1 - Medienkunst im Überblick / Media Art Net 1 - Survey of Media Art. Wien, New York: Springer Verlag, 2003.

Morse, Margaret. Nature Morte: Landscape and Narrative in Virtual Environments In Immersed in Technology: Art and Virtual Environments, edited by Mary-Anne Moser and Douglas MacLeod, 195-232. Cambridge, London: MIT Press and Banff Centre for the

Kusch, Martin and Marie-Claude Poulin. Diver: a cyber-kinesthetic installation In Digital Synesthesia - A Model for the Aesthetics of Digital Art, edited by Katharina Gsöllpointner and Ruth Schnell and Romana Schuler, 114-117. Berlin: De