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  • Fleischmann, Monika and Wolfgang Strauss. Staging of the Thinking Space: From Immersion to Performative Presence In Paradoxes of Interactivity, edited by Jin Hyun Kim, Uwe Seifert and Anthony MooreISBN 978-3-89942-1, , 266-281. Bielefeld:
  • Weibel, Peter, ed. YOUniverse. Sevilla, Granada. Bienal de Arte Contemporàneo de Sevilla.. Sevilla: Fundacion Biacs 3, 2008.
  • Elkins, James. How to Use your Eyes. Colchester, UK: Taylor and Francis, 2008.
  • Smith, Greg M.. Film Structure and the Emotion System. Cambridge, UK: Cambridge University Press, 2008.
  • Paul, Christiane. Digital Art. World of Art Series, New York: Thames and Hudson Ltd., 2008.
  • Grau, Oliver. Virtuelna umetnost. Beograd: Clio, 2008.
  • Grau, Oliver. Media Art needs Histories and Archives In The 5th Seoul International Media Art Biennale, edited by Seoul Museum of Art, 23-25 and 36-50. Seoul, Korea: Seoul Museum of Art, 2008.
  • Dartel, van Michael. Truth in media art through sensory-motor coordination: Scenography 2: Space and Truth, Zurich University of the Arts In Scenography 2, edited by Thea Brejzek and Laurence WallenVol.2. Scenography HGKZ, , 22-34. Zurich: Zurich
  • Diaa Ahmed Mohamed Ahmedien is a lecturer in sciences of visual arts and sciences of New-Media Arts. He is an artist, educator, researcher, and creator to setup systems of artworks, basically depending on the intersection between art, sciences, and
  • Ethan Bach is internationally known for his media art which is primarily in immersive and interactive media. Bach received an MFA in Electronic Arts from Rensselaer Polytechnic Institute in 2008 and BA in Media Production from The Evergreen State