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  • A Glass of Wine with Harry
    Archival Digital Print, Sizes: 8”x10” and 13”x19” Epson Pigment inks on cotton rag substrate or Light Jet digital photo prints. (plus custom sizes or NFT by special order) Date created: 2000 This is a surrealist portrait of Acevedo’s friend Harry
  • Jennifer Willet
    Jennifer Willet is a biomedia artist and professor with a strong focus on laboratory aesthetics and participatory practices methodologies. Currently, she is Director of Incubator Lab at the University of Windsor in Canada. Her work resides at the
  • Temos uma Questão! -
    In preparation for hosting the 2016 Olympic Games, Brazilian officials promised to clean up Guanabara Bay, where sailing, rowing and windsurfing competitions will be held. The water is heavily polluted, with nearly 70% of Rio de Janeiro’s untreated
  • Revelation of Eve Clone III -
    Revelation of Eve Clone III was created and exhibited at the “Post-Humanist Desire” international art exhibition at MOCA Taipei. I used 3D animation to recreate all the characteristics in Revelation of Eve Clone I, such as reproductivity and the
  • Portrait of Eve Clone - video
    I named it Eve Clone as God created Eve, and humans want to play God and created a cloned Eve. I integrate the elements of the human chrysalis and human beast to shape the double identities of Eve Clone, who was both charming and evil. I quoted the
  • Portrait of Eve Clone -
    I named it Eve Clone as God created Eve, and humans want to play God and created a cloned Eve. I integrate the elements of the human chrysalis and human beast to shape the double identities of Eve Clone, who was both charming and evil. I quoted the
  • The Last Supper v02 -
    Archival Digital Print, Sizes: 8”x10” and 13”x19” Epson Pigment inks on cotton rag substrate or Light Jet digital photo prints. (plus custom sizes or NFT by special order) Date created: 1994 Victor: Here is my favorite iteration of a piece that was
  • Wine
    A delicate and silent animation. It suggests an inebriate mental state in which foreground and background blend in almost undifferentiated fashion. The poem articulates the fleeting apparitions of the words from within themselves, as if one word
  • Virtuelle Welten als Repräsentation
    Lenders, Winfried. Virtuelle Welten als Repräsentation Zeitschrift für Semiotik 18, no. 2-3 (1996): 277-295.
  • Intelligent Environments: Bodyarchitecture and OP_ERA
    Nöth, Winfried, ed. Intelligent Environments: Bodyarchitecture and OP_ERA. Kassel: Kassel University Press, 2002.
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