Archive Search

  • Pat Badani
    Pat Badani (b. Argentina) draws from the fields of media art, science, and technology to explore the intersectionality of environmental and social issues. She often uses 'food' to create artistic arguments that blend aesthetics and criticism,
  • Iconoclash: Beyond the Image Wars in Science, Religion, and Art
    Latour, Bruno and Peter Weibel, ed. Iconoclash: Beyond the Image Wars in Science, Religion, and Art. Cambridge, MA: MIT Press, 2002.
  • Making Things Public. Atmospheres of Democracy
    Latour, Bruno and Peter Weibel, ed. Making Things Public. Atmospheres of Democracy. Cambridge, Mass: MIT Press, 2005.
  • Reset Modernity! curated by Bruno Latour -
    Event: Reset Modernity! curated by Bruno LatourInstitution: ZKM - Center for Art and MediaComment:
  • Untitled
    On a square lattice at least one coordinate of an equilateral triangle must be irrational. An irrational number has no finite numerical representation. An equilateral triangle represented on a computer is inherently imprecise.
  • MIMI and the Illuminati -
    Upon the invitation of the Lindisfarne Association and the Cathedral Church of St. John the Divine in New York City, a concert of audiovisual mathematics/music took place in the Cathedral Church on 17 October, 1992, at about eight o'clock in
  • Roz Dimon
    Roz Dimon is an artist who has been painting with a digital brush for over 30 years after her oil paintings began to fill with pixels in the 1980s. Her work in digital media was featured in 1991 in Forbes Magazine with David Hockney and she has
  • Zonas de contactoArt History in a Global Network -
    Twenty years ago, Mary Louise Pratt proposed the notion of a “contact zone” as a place where culture is negotiated and challenged. Art can bridge or destabilize disciplines and methods in ways that reframe histories and bring new insights. Still, on
  • Origins and Futures
    In Origins and Futures, pyrite, a mineral commonly known as “fool’s gold” glimmers with novelty and seduction. Its crystalline structure and reflecting light attracts the viewer’s eye without hesitation. The piece is based on A.G. Cairns-Smith’s
  • Metalogue -
    Archival Digital Print, Sizes: 8”x10” and 13”x19” Epson Pigment inks on cotton rag substrate or Light Jet digital photo prints. (plus custom sizes or NFT by special order) Date created: 1987 Metalogue was titled after interdisciplinary
Search results 201 until 210 of 222