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  • T Brooks
    My bodies of investigative works, primary titled overall as SoundScapes and ArtAbilitation, sits between researching cross-informing art (interactive multimedia installations e.g. MoMA and performance art using invisible sensing technologies of
  • Blow Up - video
    Blow-up is a high resolution interactive display that is designed to fragment a surveillance camera view into 2400 virtual cameras that zoom into the exhibition space in fluid and autonomous motion. Inspired by Antonioni, the piece is intended as a
  • Japan Media Arts Festival 2004
    February: 7th Japan Media Arts Festival Exhibition of Award-winning Works Dates: February 27– March 7, 2004 Venue: Tokyo Metropolitan Museum of Photography (Ebisu, Tokyo) Entries: 1,584 works (including 494 from overseas) Visitors: 16,766
  • Japan Media Arts Festival 2012
    February: 15th Japan Media Arts Festival Exhibition of Award-winning Works Dates: February 22–March 4, 2012 Venue: The National Art Center, Tokyo (Roppongi, Tokyo), etc. Entries: 2,714 works (including 956 from overseas) Visitors: 51,828 people
  • AESTHETICS OF CHANGE: 150 Years of the University of Applied Arts Vienna -
    Curators : Elisabeth Schmuttermeier, Curator, MAK Metal Collection and Wiener Werkstätte Archive Patrick Werkner, Professor and Head of the Art Collection and Archive, University of Applied Arts Vienna Gerald Bast, President, University of Applied
  • The Scale of Immersion : Different audio-visual experiences exemplified by the 360° video Secret Detours
    Reinhuber, Elke and Benjamin Seide and Ross Williams. The Scale of Immersion : Different audio-visual experiences exemplified by the 360° video Secret Detours Electronic Visualisation and the Arts (Juky 2018): 236-243.
  • The Scale of Immersion : Different audio-visual experiences exemplified by the 360° video Secret Detours
    Reinhuber, Elke and Benjamin Seide and Ross Williams. The Scale of Immersion : Different audio-visual experiences exemplified by the 360° video Secret Detours Electronic Visualisation and the Arts (July 2018): 236-243.
  • http://www.superenhanced.com/ -
    Typically, the cells have no windows. Lights are controlled by guards who may leave them on night and day. For exercise there is usually only a room with high concrete walls and a chin-up bar. Showers may be limited to three per week for not more
  • n-Polytope -
    n-Polytope. Behaviours in Light and Sound after Iannis Xenakis is a spectacular light and sound environment combining cutting edge lighting, lasers, sound, sensing and artificial intelligence software technologies inspired by composer Iannis
  • Suite For Mobile Tags -
    Suite for Mobile Tags is a project based on QR-Code (Quick Response Code), which proposes an exercise of random and anonymous collective musical composition. For the implementation of its first movement, there is a set of eight mobile tags embedded
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