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  • Domingues, Diana. Arte e Vida no Século XXI: Tecnologia, ciência e criatividade. São Paulo, BR: Editora UNESP, 2003.
  • Galeria do Século XXI
  • ... visitors "win" one of the NGOs or artists as a target (mind of concern), and can trigger network scans which investigate the security conditions on the target,s Internet server. These scans sense whether the targeted server is secure or open to hacker...
  • ... and inventive young artists fascinated by unconventional images and visions. 1374 entries for the individual festival sections were received from 37 different countries. The largest numbers of submissions came from, alongside Germany, the USA, Canada,...
  • ...For the 10th anniversary, almost 1000 entries were submitted to the organising team for the various sections of the festival. In addition to Great Britain and the USA, numerous contributions were sent from New Zealand, Japan, Romania and Brazil. In 1997, the film...
  • ... were the focal points of the media artistic debate. Works by the eminent filmmaker Peter Greenaway were found in all sections of EMAF 2005. A showcase of Berlin artist Harun Farocki portrayed films and installations; the retrospective presented the...
  • ... a landscape of spectacle and surveillance: the everywhere and endlessly reflecting 'curtain wall'... the dark glasses of security infrastructure. Newer utopias, such as those being propagated via TV fantasy shows, fantasy Malls, and idealized...
  • ... in New Media Art Education (forthcoming), published by Intellect Press. He is the editor of Inter/Actions/ Inter/Sections: Art Education in a Digital Visual Culture (2011), published by NAEA Press, and is currently the Senior Editor of The Journal...
  • ... Group and the Interaction Design Studio at Carnegie Mellon University, and has several years experience in the nonprofit sector. Tad is also a frequent collaborator with the Institute for Applied Autonomy, an award-winning arts collective that exhibits...
  • (W)orld Currency -
    ... and liquidity for a new currency (W) based upon the average of an index of individual currencies. The formula combines and secures dominant national currencies with new digital and local complementary currencies, preserving autonomy and diversification...